So Lionsgate quietly — like, very quietly — released its long-shelved Miley Cyrus "comedy" LOL into 105 theaters over the weekend. Director Lisa Azuelos's English-language remake of her own French hit from 2008 suffered for it, too, grossing a total of just $46,500 — less overall than The Avengers made per screen.
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Roughly two weeks after Gary Ross's departure from and Francis Lawrence's rumored attachment to Catching Fire, Lionsgate has officially announced Lawrence as its man to direct its mega-anticipated Hunger Games sequel.
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This Friday Jason Statham charges into theaters as a cage-fighting ex-NYPD officer who protects a 12-year-old Chinese girl from the Triads, the Russian mob, and corrupt city officials in Boaz Yakin's throwback actioner Safe. So what better way to celebrate the stone-cold suaveness of Britain's most bad-ass action export than by penning a 10-word review of any one of his films? Transport yourself into Statham mode, crank up the chaos, and expend your best critique for your chance to snatch up the grand prize. UPDATE: Contest is now closed. Read the winning 10-word review!
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Well, it looks like Lionsgate has picked their pony in the Catching Fire directing race; I Am Legend director Francis Lawrence has reportedly been offered the job to helm the Hunger Games sequel, which is set to start filming on a tight schedule this August. Lawrence has three features under his belt, in addition to music videos for the likes of J. Lo and Britney Spears; he most recently directed Robert Pattinson and Reese Witherspoon in Water for Elephants (but also made 2005's Constantine).
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According to an LA Times report citing an insider in the know, Lionsgate is looking at a few notable names to take the helm of the Hunger Games franchise for the series sequel Catching Fire. Among the "seven or eight names" -- all men, it's noted -- are David Cronenberg, Alfonso Cuaron, and Alejandro González Iñárritu.
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Why it's an Inessential Essential: It's admittedly a little strange to think of this fairly well-known film as needing endorsement of any kind. However, Lionsgate recently released a new Nicole Kidman box set, packaging the first film in Lars von Trier's acerbic but still incomplete "America Trilogy" in the same collection as more high-profile and easy-to-swallow Kidman roles like Cold Mountain, Rabbit Hole and The Others. The juxtaposition is striking, and as the clear odd film out in the four-disc set, Dogville emerges as perhaps Kidman's most inessential essential.
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Well, that was fast: Just hours after Josh Hutcherson gamely threw his support behind Hunger Games director Gary Ross, Ross has officially announced he's not directing the franchise sequel, Catching Fire. "I simply don't have the time I need to write and prep the movie I would have wanted to make," wrote Ross in a statement. More after the jump.
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Promoting his indie genre-bender Detention today in Los Angeles (in theaters Friday), Hunger Games star Josh Hutcherson found himself in the line of questioning about the much-discussed ambiguity surrounding director Gary Ross's potential return to the franchise. “I think Gary’s the man," he diplomatically told The Hollywood Reporter. "Gary is in my mind is the only one that could ever direct the second one. That’s what I’m sticking to.” (UPDATE: Looks like Hutcherson'll have to readjust his thinking - Ross is officially out of the running for Catching Fire.)
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Despite last week's report to the contrary, it's not especially surprising to hear that Gary Ross is not quite out as the director of the Hunger Games sequel Catching Fire: Various sources have followed up initial word of Ross's franchise departure with news of predictable-enough salary disputes over ridiculously large sums of money that would push any spin machine into overdrive. UPDATE 4/10: Ross is officially out of the running to direct the Hunger Games sequel.
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Because despite all indications otherwise, Gary Ross has reportedly walked away from Lionsgate's blockbuster sequel Catching Fire. Let's come up with plan B!
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The industry seers pretty much nailed it: "The Hunger Games opened with $68.25M grosses for Friday’s North American box office, including $19.75M in record-setting midnights. That should make for a first weekend of $140M with upside. This is the highest non-sequel opening weekend ever, and the highest debut single day for a non-sequel ever, and the highest March opening ever, and the 5th highest opening day ever." Read Nikki Finke's full report at our sister site Deadline.
Suzanne Collins can start her victory lap now. The film version of her first Hunger Games novel is on the brink of blowing up box-office records – and critics and fans like it, too. Other young-adult fantasy authors haven’t been quite so successful in dealing with Hollywood. Some of Collins’s success was luck and good timing: her first Hunger Games book was released a month after Stephenie Meyer’s final Twilight novel appeared, sending publishers and studios alike scrambling for the next young-adult franchise. But Collins also skillfully played the game with and for the filmmakers, making deliberate choices about how she wrote the novels and how she helped market them to the books’ fierce fans. Forget teenage love triangles or wizards vs. werewolves; here's a far more practical list of dos and don'ts for when your popular young-adult fantasy book is being adapted by Hollywood. (Spoilers for lesser movies ahead.)
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Forget comparisons to Twilight -- will Lionsgate's The Hunger Games hit Dark Knight-level opening weekend success? So sayeth some experts who peg the PG-13 action pic's tracking in the $85 million - $115 million range on par with Iron Man, Spider-Man, and franchise sequels usually featuring wizards or robots. What's more, The Hollywood Reporter cites "insiders" who think those figures are conservative and say the Suzanne Collins YA adaptation could even bank as much as $140 million thanks to its four-quadrant appeal, which would propel it not only ahead of all but one Twilight sequel in the record books, but into the Top 5 weekend openings of all time. [THR]
Movie events have become deadly little things, highly mechanized gadgets thrown by studio marketing departments into an audience’s midst in advance; then we just stand around and wait for them to explode. The Hunger Games, adapted from the first of Suzanne Collins’ hugely successful trio of young adult novels, was decreed an event long before it became anything close to a movie: More than a year ago its studio, Lionsgate, launched a not-so-stealthy advertising campaign that made extensive use of social media to coax potential fans into convincing one another that they had to see this movie. The marketing was so nervily persuasive that you had to wonder: How could any movie – especially one that, as it turns out, is largely and surprisingly naturalistic, as opposed to the usual toppling tower of special effects – possibly hope to measure up?
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This is pure speculation, but it's St. Patrick's Day weekend! Let's connect the dots: Lionsgate and WWE Studios are teaming up on a reboot of the 1993 pic Leprechaun, the creature comedy-horror which infamously featured a young Jennifer Aniston and kicked off a series of terrible films centered on a murderous Irish fairy hell-bent on recovering his precious gold. World Wrestling Entertainment (WWE), meanwhile, has a diminutive wrestler named Hornswoggle under contract, whose ring persona is that of a mischievous leprechaun. Pure coincidence, or will Leprechaun mark the next screen debut for a WWE star?
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