Francis Lawrence, who is directing the second installment of The Hunger Games franchise, Catching Fire will come on board for the final two in the series, Mockingjay - Part 1 and Mockingjay - Part 2.
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Roughly two weeks after Gary Ross's departure from and Francis Lawrence's rumored attachment to Catching Fire, Lionsgate has officially announced Lawrence as its man to direct its mega-anticipated Hunger Games sequel.
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Said Madeline Puzo, the dean of the USC School of Theater where Ross will speak on May 11: "Gary is a wonderful example of a superb artist who combines a rigorous aesthetic standard with stories that have broad-ranging appeal." No kidding! And you'll really know he's serious when he turns his speech over to Francis Lawrence a third of the way through. [Variety]
Well, it looks like Lionsgate has picked their pony in the Catching Fire directing race; I Am Legend director Francis Lawrence has reportedly been offered the job to helm the Hunger Games sequel, which is set to start filming on a tight schedule this August. Lawrence has three features under his belt, in addition to music videos for the likes of J. Lo and Britney Spears; he most recently directed Robert Pattinson and Reese Witherspoon in Water for Elephants (but also made 2005's Constantine).
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Well, that was fast: Just hours after Josh Hutcherson gamely threw his support behind Hunger Games director Gary Ross, Ross has officially announced he's not directing the franchise sequel, Catching Fire. "I simply don't have the time I need to write and prep the movie I would have wanted to make," wrote Ross in a statement. More after the jump.
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Promoting his indie genre-bender Detention today in Los Angeles (in theaters Friday), Hunger Games star Josh Hutcherson found himself in the line of questioning about the much-discussed ambiguity surrounding director Gary Ross's potential return to the franchise. “I think Gary’s the man," he diplomatically told The Hollywood Reporter. "Gary is in my mind is the only one that could ever direct the second one. That’s what I’m sticking to.” (UPDATE: Looks like Hutcherson'll have to readjust his thinking - Ross is officially out of the running for Catching Fire.)
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Despite last week's report to the contrary, it's not especially surprising to hear that Gary Ross is not quite out as the director of the Hunger Games sequel Catching Fire: Various sources have followed up initial word of Ross's franchise departure with news of predictable-enough salary disputes over ridiculously large sums of money that would push any spin machine into overdrive. UPDATE 4/10: Ross is officially out of the running to direct the Hunger Games sequel.
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Because despite all indications otherwise, Gary Ross has reportedly walked away from Lionsgate's blockbuster sequel Catching Fire. Let's come up with plan B!
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After years of foisting dashed-off 3-D — and its inflated ticket prices — on movie audiences, studios may have found their most reliable ally yet in shoring up box office: IMAX. And not just the punch and potential of the brand's own 3-D, either, but good old conventional 2-D as well.
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Screenwriter David H. Steinberg's credits include two American Pie sequels, National Lampoon's Barely Legal, the 2002 Devon Sawa vehicle Slackers, and, yes, Puss in Boots... which makes him an expert on adapting for the screen, of course! "...Ultimately I was underwhelmed. The movie simply failed to capture the emotion of the book... (No one in the movie ever looks hungry!)" [Yahoo]
It's easy to pile on Hollywood for its craven cash grabs, sequelitis and other low-hanging fruit harvested and passed off in the name of popular entertainment. It's also fair, after a glance at the top 20 or so openings of all time, to acknowledge that mass audiences have tended to let studios get away with such output over the last decade in particular. But if we're to take anything from the huge opening-weekend success of The Hunger Games, it might be to look at its place on that list — squarely in third place, below even better-regarded cinematic efforts Harry Potter and the Deathly Hallows: Part 2 and The Dark Knight. With this development, could crowds and critics alike have proven what the sheer volume of lesser hits would seem to contradict — that quality matters?
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Oh, God, here we go again: "'Katniss's act of self-sacrifice [volunteering to take her sister’s place in the games] is a trigger for an entire revolution. She draws an ethical line that she won’t cross over and it serves as such a beautiful example for people,' [director Gary] Ross said. 'That assertion of her own individual ethics ultimately triggers a revolution just as it was one Tunisian flower vendor that led to the revolt that rifled through the Middle East last year. Or Rosa Parks refusing to sit in the back of the bus. It usually comes down to an act of individual ethics that can trigger something like that.'" [LAT]
Movie events have become deadly little things, highly mechanized gadgets thrown by studio marketing departments into an audience’s midst in advance; then we just stand around and wait for them to explode. The Hunger Games, adapted from the first of Suzanne Collins’ hugely successful trio of young adult novels, was decreed an event long before it became anything close to a movie: More than a year ago its studio, Lionsgate, launched a not-so-stealthy advertising campaign that made extensive use of social media to coax potential fans into convincing one another that they had to see this movie. The marketing was so nervily persuasive that you had to wonder: How could any movie – especially one that, as it turns out, is largely and surprisingly naturalistic, as opposed to the usual toppling tower of special effects – possibly hope to measure up?
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With Lionsgate's big screen adaptation of Suzanne Collins’ teen-centric sci-fi survival-adventure The Hunger Games hitting screens this week, it’s kind of impossible not to draw comparisons to that other YA juggernaut series, which concludes its billion-dollar run on pop culture this fall. So how does The Hunger Games measure up to Twilight?
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Gary Ross may have been an unexpected choice to direct The Hunger Games, but his quest for the gig was no less obsessive than the fervor of the novels’ fans; it took him exec-stalking across the Atlantic, involved elaborate custom-made storyboards, and inspired him to make a video of actual Hunger Games fans and their love for Suzanne Collins’s sci-fi series. (Besides, who else could’ve brought on Steven Soderbergh to direct second unit on one of the film’s big scenes?)
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