Whatever your Oscar nomination predictions were, you were wrong: This morning's Academy Awards announcements by hosts, Seth MacFarlane and Emma Stone, jolted Oscar-watchers awake with surprises and snubs so shocking they made everyone forget, within minutes, that MacFarlane made a Hitler joke, live, before six in the morning — setting the tone for his upcoming hosting gig.
From all the Beasts of the Southern Wild love, to the freezing-out of shoo-ins, Kathryn Bigelow (Zero Dark Thirty), Ben Affleck (Argo), and Tom Hooper (Les Miserables) from the Best Director race, which were the biggest shocks of the morning?
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By now you know that the list of songs eligible to be nominated for Best Original Song at the 85th Academy Awards is kind of mind-blowing. Not so mind-blowing is the generally risk-averse bent of the average Academy voter, which is why we should probably just send congratulations now to Brave, Les Miserables, and Adele, resting easy one of them will actually be the right recipient.
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The Academy Awards could finally get the dynamic host they've been looking for in Family Guy's Seth MacFarlane, whom Deadline reports has been anointed emcee for the 2013 Oscars telecast. Given his solid SNL hosting debut (which began with an Oscars-appropriate song-and-dance monologue) the Ted creator is a well-rounded choice in a town that doesn't actually have many writer-actor-producer-singer-funny voice-doers, let alone any willing to regularly push the boundaries of good taste. [UPDATE: Watch Seth MacFarlane as he makes his official Oscar announcement via video.]
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Rumors had swirled that late night host Jimmy Fallon could host the 2012 Oscars telecast, with none other than SNL/Late Night producer Lorne Michaels potentially coming aboard to produce the annual extravaganza. Speaking with Matt Lauer Wednesday on the Today show, Fallon seemed to corroborate the speculation but revealed that he will not be hosting.
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"Best Director is a nomination I can see for Beasts; it looks and plays like no other movie you'll see this year. But Best Actress? Remember, it's not like throwing a 13-year-old or even a talented 9-year-old up against four adults. The kid you're seeing onscreen is 6. And yeah, comparing actresses is always apples and oranges, but with the other four, whoever they end up being, we'll be able to talk about their performances and not the fact that they were bribed with candy on long days, or had their lines rewritten because long words were too hard to say, or were filmed without being aware of it in the hope that natural moments would be captured. Well, maybe the candy thing happens with adults. But to quote the star herself, 'I didn't even know about acting. That was just me.' Also: Telling a kid that young that now her job is to go be interviewed by a lot of grown-ups and have her picture taken so that she can win a prize? Ugh. Yecch. Gross." [Grantland]
This is pretty much perfect: "since i am blamed whenever people don’t like it, but never praised when they do, and since most critics forget that they liked or hated something two years ago and cite it as a strength or weakness two years later, i’ve come to be philosophical about the show. if people don’t like the comic who hosts, they hate the show. if no comic hosts, they hate the show and demand that a comic be summoned. when he’s edgier, like chris rock, we get slammed. when he’s bland, like ellen, we get slammed. but a few things are clear. this is the oscars. they still mean something after 83 years, at least in the industry. unlike the mtv awards, their audience is not exclusively 9-18 year olds. unlike the golden globes, the voters are people who actually make movies, not pretend to be journalists. some things are simply inappropriate. it’s a dance every year to figure out what those are. every single line on the oscar show is negotiated. unless you’ve been there, you have no idea how it is put together. it’s like nothing else on earth. i’m writing a book about it, but i have to throw in my sexual escapades to make sure it sells." [Filmdrunk]
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I mean, of all the things bringing down that Oscar intro, Twitter jumped on this? "'I am 100 percent certain that my father is smiling. [...] Billy previously played my father when he was alive, and my father gave Billy his full blessing,' she continues, noting that Saturday Night Live gave the imitation 'legendary status.' [... Tracey] Davis, now 50, does however take issue with using the word 'blackface,' attributing the term born in the 1800s to describe white actors in makeup playing black characters, to early film stars such as Al Jolson, not Crystal, per se." [THR]
I had vowed to get on with my life and leave the Academy Awards alone today. That all changed when a friend alerted me to an eye-popping moment on the Oscars red carpet that haunted my dreams and now demands reckoning. Dear readers, does anybody knows what the hell is going on here?
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This would never happen in America: "The two main candidates in this spring’s presidential election took a break from their mudslinging to crow. 'This is a tremendous success for the French cinema,' exclaimed President Nicolas Sarkozy on RTL radio Monday morning. 'I adored The Artist of course.' François Hollande, the Socialist challenger, said on his Web site, 'Bravo to the entire cast of the film, and bravo to French cinema.'" [NYT]
Either animal obsessions are instinctive to this awards season, or someone's been unduly influenced by Movieline favorites Uggie and Otis the Oscar Cat. There is no other real takeaway from the latest animated news video from the folks at NMA, which makes nifty work of summarizing an utterly depressing, anticlimactic Academy Awards evening that "clocked in at just under 10 hours." Have a look and see if your memory matches theirs.
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Hollywood's biggest (and possibly most anticlimactic) night is upon us, which can only mean one thing: Movieline's third annual Oscar Liveblog Extravaganza! Join your Movieline editors and loyal readers as we parse the Academy Awards to within an inch of their glamorous lives. The fun begins on the red carpet at 7 p.m. ET/4 p.m. PT, with the Oscarcast proper commencing at 8:30 p.m ET/5:30 p.m. PT. And in any case, keep abreast of this year's Oscar class with our commentary after the jump.
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Forty-eight hours to Oscar. Gut-check time — or maybe make that "gut-instinct check" time, a moment to break away from the meticulous zeitgeist-combing science of Movieline's Institute For the Advanced Study of Kudos Forensics and make a few choices for myself. Not that they'll be so different, but if you can't go with a hunch where 5,765 fickle, insular industry minds are concerned, then what can you go with? We can't all be be Otis the Oscar Cat, you know. Anyway, let's make this quick:
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When the Academy announced its nominations last month for Best Animated Feature, two waves of surprise washed over Oscar watchers: Not only was Pixar left out in the cold for the first time in its history, but also two lesser-known films from abroad made the cut in the category: the noir-y French entry A Cat in Paris and the Spanish-language jazz-romance Chico and Rita. The directors of those films, along with Kung Fu Panda 2 helmer Jennifer Yuh Nelson, one of few female directors nominated this year, spoke with Movieline about the recognition from the Academy, technologies such as 3-D and motion capture, and their Oscar night excitement.
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The films almost couldn’t be more different: Hugo is an epic, 3-D family film that wraps us up in a warm glow, and The Girl With the Dragon Tattoo is a chilling murder mystery set in the stifling Nordic winter. Robert Richardson and Jeff Cronenweth — the cinematographers (pictured above R-L) tasked with making these respective worlds believable — will contend this weekend for an Oscar for Best Cinematography (along with The Artist's Guillaume Schiffman, The Tree of Life's Emmanuel Lubezki and War Horse's Janusz Kaminski). Movieline spoke with Cronenweth and Richardson about their approach and style on their nominated films as well as their recognition from the Academy.
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The Academy Awards telecast stopped being a one-screen experience years ago. An Oscar viewing party is all well and good, but with a computer or phone nearby, a virtual theater full of people will enhance the experience from the first red-carpet arrivals to the music playing over the Best Picture winner’s speech. Yes, your friends are witty and can also fetch you a beer, but the best jokes about the winners, losers and everything in between are on Twitter. Some professionals make watching the Oscars simply worth the hours (and hours) spent. Doug Benson is one of them.
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