Robert De Niro in Midnight Run alone accounts for nearly a dozen of the epithets spouted in this new supercut, the happiest/angriest/bitterest/goofiest/meanest/most exhilarating — OK, fine, the only — "son of a bitch" collection you'll see all day. Needless to say, it's NSFW, though it's probably not too far afield of the general mood at most workplaces on an average Monday morning, so you tell me.
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Also in Friday morning's Biz Break, the Weinsteins go for a sneak of their latest French release paired with Oscar-winner The Artist, the Time Warner chief's recipe for how to combat movie piracy, and more.
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The first full day of Tribeca 2012 yielded at least one major highlight, as festival co-founder Robert De Niro and comedy mogul Judd Apatow joined Deadline's Mike Fleming for a discussion commemorating the 100th anniversary of Universal Pictures. (Fellow Universal blockbustress Meryl Streep, alas, backed out at the last minute due to illness.) At least, that was the plan; what ensued was a wide-ranging, freewheeling chat about the pair's work for the studio, the natures of their comedy, varying sequel statuses, and much more. As per Tribeca custom, read on for this years revelations from from De Niro and Co.
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Ahead of tonight's official kick-off of the Tribeca Film Festival with the world premiere of Universal's The Five-Year Engagement, festival brass reflected on the event's 10 years — and its upcoming second decade — at a pre-launch mimosa (and bloody mary) breakfast event downtown where it all began in 2002.
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There's no script, no budget and no confirmed Charles Grodin to complement the "buddy" part of the "buddy comedy" formula that worked so well 24 years ago, but that's not stopping the zeitgeist from panicking over the current state of Midnight Run 2. To wit, Brett Ratner is now linked up as the director. Like we've never heard that before. Everybody calm down!
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“Callista Gingrich. Karen Santorum. Ann Romney. Now do you really think our country is ready for a white first lady?” Zing! Still a true master. Related: Irrelevant blob Newt Gingrich is upset. [TPM via @raypride]
Though it’s always a bad idea to review a director’s intentions at the expense of the actual results, there’s something about Paul Weitz’s movies that makes you want to cut him a little extra slack. Weitz, with his brother Chris, was one-half of the directing team that brought us About a Boy (an affecting and well-crafted adaptation of Nick Hornby’s novel), as well as American Pie (which, despite its reputation as a teen raunchfest, was surprisingly in tune with the complexities of sexual relationships as they’re experienced by young women). The pictures Weitz has directed on his own have been either unjustly overlooked (as in the case of the freewheeling satire American Dreamz) or justifiably lambasted (there’s not much to say about the icky gun-for-hire vehicle Little Fockers). But when Weitz is at his best, his films show an easygoing open-heartedness that more technically gifted directors – we’re looking at you, Alexander Payne – can’t even begin to muster. There may not be a single misanthropic bone in his body.
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No matter how many gifting suites, D-list "celebrities" and/or head-splitting parties the malevolent forces of modern commerce may stuff into the wintry idyll of Park City over the next week, we'll always have the movies. And as usual, "we" also means studios and distributors with money to burn and release slates to fill. Let the Sundance bidding wars begin!
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He’s stared down the Terminator, tangled with aliens, and faced off against Doc Holliday with nary a glimmer of fear, so suffice to say Michael Biehn’s no stranger to playing hardened, iconic screen bad asses. (Think Biehn’s played tough? Just wait and see him mean, nasty, and unraveling at the seams in this week’s apocalyptic horror The Divide, a film whose production was reportedly a nightmare in itself.) But early on, Biehn says, he wasn’t so sure how serious he should be about acting – that is, until he saw Robert De Niro in a riveting classic role that convinced him that this was his calling.
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Poet/playwright Nick Flynn's memoir Another Bullshit Night in Suck City is right for a movie adaptation: Its two main characters, Flynn and his father, are deep, articulate characters with a lot of angst to go around. In the first trailer for Focus's adaptation Being Flynn, the younger Flynn (Paul Dano) analyzes the value of reuniting with his estranged father (Robert De Niro). Clip after the jump.
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In the brand new trailer for New Year's Eve, Garry Marshall's holiday-themed movie event that promises to give the phrase "ensemble romantic comedy" a bad name, Robert De Niro wonders what could possibly beat "New York on New Year's Eve." I'll tell you what: Not throwing all of your actorly credibility out the window confetti-style to appear alongside Zac Efron, Jon Bon Jovi and Ludacris in a movie that features Ashton Kutcher trapped in an elevator with the annoying girl from Glee. You know what other moviegoers might also consider better than seeing Garry Marshall's vision of NYC on New Year's Eve? Tom Six's Human Centipede 2, which inspires similar nausea but for different reasons.
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Not even yesterday's first look photo of Robert De Niro and his great big bushy beard could prepare us for the non-stop macho action in the trailer for the Jason Statham-Clive Owen starrer Killer Elite, which hit the web today. After the jump, watch the wealth of punches, power kicks, explosions, gunshots, inventive action moves, and unabashed man love on display in the span of a minute and forty seconds. Then mark your calendars for September 23.
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