The Prometheus post-mortem continues (really, the fact that it's still provoking discourse says something... right?) with screenwriter Damon Lindelof talking end-of-movie spoilers with TIME Magazine. Namely, what does it mean that you-know-who does you-know-what with the whatsit at the end? Kidding! Dive in to hear the LOST veteran address the certain future of our heroes, plus: An infographic that breaks down Prometheus' DNA in one handy chart.
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Whether you loved Prometheus or were left frustrated by it, everyone who's seen Ridley Scott's sci-fi pic can agree it leaves you with a plethora of unanswered questions. So maybe it's good news that Scott has revealed the eventual DVD/Blu-ray release will feature deleted scenes and a 20 minute-longer extended cut of the film — even if Scott is perfectly happy stymieing audiences with his theatrical cut.
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Those wild animals in Madagascar 3: Europe's Most Wanted showed their box office heft, beating out Prometheus to land atop the overall box office for the weekend. The opener for the third installment of the animated feature figured bigger than anticipated for the pic which debuted at the Cannes Film Festival last month and is clearly flexing its franchise prowess. The film had an 8% increase Saturday, bringing out families. But Prometheus is certainly not a disappointment. The feature also had better than expected numbers. Internationally, the pic stood at $91.5 million over the weekend after nearly two weeks in release in some territories and its IMAX $9.1 million total is a June record.
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Ridley Scott's Prometheus opens stateside today, which means no more tiptoeing around spoilers for those who've seen it. (Obviously, spoilers will follow. You've been warned.) The number one complaint among folks who have now seen the highly anticipated Alien kinda-prequel? So. Many. Unanswered. Questions. So let's jump right into the spoiler goo and get to deciding (and, hopefully, answering) the biggest question prompted by Scott's gorgeous, murky space opus that is left yet unanswered.
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Summer's gearing up (though it is still spring) with the latest blockbustery types hitting screens around the country. Madagascar 3 opens with everyone's favorite wild animals on another adventure, this time escaping the serene lands of Africa for a mis-adventure in Europe as they try and make their way back to their beloved - err - New York. Ridley Scott's crew leaves Earth altogether in Prometheus, which has already shown box office snuff overseas. Will it catch on here? And are you ready for some non-studio (or not so studio) entertainment?
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Also happening Friday morning in news, Warner Bros. is going for a new action-adventure project using Chinese mythology and Hugh Jackman takes a short leave at Les Miserables for Tony. RIP J. Michael Riva and Pinochet doc sparks protests in Chile.
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The Ridley Scott-directed Sci-Fi thriller awaits its U.S. bow this weekend and momentum appears to be on its side. Across the Atlantic where audiences have already flocked to see the movie, Twentieth Century Fox is already cashing in, with a £6.24M gross last weekend, which translates to just over $9.7M. That figure outshines any of the Alien movies, according to The Guardian which reported the figures.
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People with a strong sartorial sense know the difference between what’s elegant and what’s merely elaborate. It’s not the same in the movie world, where big and overcomplicated is so often mistaken for better, when really it’s only...big and overcomplicated. Ridley Scott’s Prometheus, designed as a sort-of prequel to the director’s 1979 terror-in-space aria Alien, is elaborate all right. But it’s imaginative only in a stiff, expensive way. Scott vests the movie with an admirable degree of integrity – it doesn’t feel like a cheap grab for our moviegoing dollars – but it doesn’t inspire anything so vital as wonder or fear, either. Prometheus has been one of the most anticipated pictures of the summer, but its lackluster payoff is summed up perfectly by one of its chief characters, a scientist who travels a long way from Earth in the hope of meeting the allegedly superior beings who created us humans: “This place isn’t what we thought it was.”
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Can't get enough of this Friday's Prometheus? Then you'll want to watch this shot-for-shot fan trailer that recreates every moment of Ridley Scott's second Prometheus trailer with paper and flashlights, which is at once the antithesis of the effects-laden sci-fi pic and a neat-o celebration of its fantastical imagery. Plus: Paper Fassbender! Still hot.
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Don't worry, no Prometheus spoilers here, just a peek into the brain of Sir Ridley Scott, who opened an interview with press by musing on... tape recorders. And Star Trek. And light speed. Naturally.
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I'm not watching these four new clips (and a bonus featurette) from Prometheus, which I can watch in its entirety when it opens in nine days. You are on your own. But while I presume we can probably piece together roughly 64 percent of the film from these and other previously released clips, commercials, teasers and trailers, can anyone really blame Fox for emulating Marvel's Avengers strategy of keeping the glimpses coming all the way to opening day — especially as positive but not gushing reviews trickle out for their R-rated tentpole? If the buzz fits, wear it.
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Also in Tuesday morning's briefs roundup, Abbas Kiarostami's latest from Cannes is heading to the U.S., a big film-biz deal brews up in Canada, a controversial film lands its maker in hot legal water three decades, and more...
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Of the stellar actors assembled for Ridley Scott's Prometheus, Noomi Rapace, Charlize Theron, and Fassy alone are worth the price of admission. But the lesser known cast member that I'm most looking forward to watching navigate Prometheus's space terrors is one Logan Marshall-Green, whom I previously declared the American Tom Hardy on account of his doppelganger status, and whom you may also recall from such prior milestones as being the hot (but totes bad news) Trey on The O.C.
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Because we're a little more than two weeks away from the opening of Prometheus, and because the Film Society of Lincoln Center opens its complete, week-long retrospective of his films this Friday in New York, because it's a quiet morning otherwise and because it's gone so well with other directors in the past, let's rank the 19 feature films of Ridley Scott. The order is obvious:
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If you had told me a week ago that any film might enter a beer-marketing tie-in weirder than the one recently consummated by Heineken and Skyfall, I'd have belched "No wayyyyy" in violent protest through the fizzy, hazy languor of whatever 12-pack I was drinking at that moment. And then you'd say, "No, seriously, Coors Light and Prometheus made a merchandising baby and it's growing up so fast!" And I'd be all, "Ugh, the Rangers can't scorrrreee." And you'd say, "Look, look! Here's a commercial!" And we'd stare in churning anguish as a mega-bottle of Coors Light terrifyingly plunged through the atmosphere and the crew of the film's titular vessel confronted their flavorless, pale-yellow fate.
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