Ridley Scott’s Alien prequel Prometheus made the biggest impression on the geek faithful Saturday at WonderCon, where glimpses into the film’s set-up and ensuing space shenanigans were revealed in a new two-and-a-half minute trailer for the sci-fi action film. The trailer (not to be confused with the more truncated one-minute teaser that leaked yesterday) offered more hints at spoilers and narrative threads for fans to try to piece together, not to mention some very interesting new imagery – but how much do Prometheus-watchers really want to know? [Spoiler alert, obviously.]
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A new minute-or-so-long trailer for Prometheus has landed, and while it's unclear how much of this footage will be included in Saturday's planned 2:33 minute trailer debut (which will follow 20th Century Fox's WonderCon presentation), Ridley Scott's June 8 sci-fi pic just keeps the hits coming. Sparse on dialogue, big on images, the trailer teases Prometheus's IMAX release and impresses on the startling strength of its visuals alone.
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Ridley Scott may or may not be spilling details on how Prometheus factors into the Alien franchise, but a new clip from the film sheds a few shards of light on the connection, and cleverly so: Watch Guy Pearce as Peter Weyland (CEO of Weyland Corporation, to become the future Weyland-Yutani Corp.) give a riveting TED Talk, circa 2023, promising a bright new future to the tech set.
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Hollywood's biggest (and possibly most anticlimactic) night is upon us, which can only mean one thing: Movieline's third annual Oscar Liveblog Extravaganza! Join your Movieline editors and loyal readers as we parse the Academy Awards to within an inch of their glamorous lives. The fun begins on the red carpet at 7 p.m. ET/4 p.m. PT, with the Oscarcast proper commencing at 8:30 p.m ET/5:30 p.m. PT. And in any case, keep abreast of this year's Oscar class with our commentary after the jump.
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*: As determined by Movieline's Institute For the Advanced Study of Kudos Forensics after crunching 23 weeks of data from the awards cognoscenti and beyond. Thank you for reading; our work here is done.
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Remember Shame? The NC-17 one featuring Michael Fassbender as a sex addict, Carey Mulligan as his off-kilter sister, a couple of notorious "late-night lovers" and a thriving awards-season profile that imploded a month ago like a dying star, seemingly having taken the film with it? Right, that one. Now, as per the rules of the cosmos and/or art-house schemes in Columbia, S.C., that star has finally exploded back into consciousness in perhaps the best way possible.
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You know that when two of the most respected pundits in all of Oscardom argue (within days of each other!) for curtailing both the epic Academy Awards season race and the ceremony in which it culminates, patience for all this crap is wearing thin. With that in mind — and also considering that the "race" for most of these categories ended weeks or months ago — who's up for an Oscar Index lightning round? (The entire staff at Movieline's Institute for the Advanced Study of Kudos Forensics raises its hands.) OK, then — to the Index!
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"Let's have a moment of silence for the suffering Oscar bloggers as they enter the most trying and mortifying weeks of their labors." Such was Glenn Kenny's tweeted lament earlier this week -- one eerily anticipating today's latest, sanity-thrashing edition of Oscar Index. And that's just its effect on readers! You really don't want to see the catatonic pall saturating Movieline's Institute for the Advanced Study of Kudos Forensics. On the other hand, we're gonna make a fortune recycling this mounting pile of wine bottles. To the Index!
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It's a little difficult for the specialists at Movieline's Institute for the Advanced Study of Kudos Forensics to come into work these days, what with the pall of predictability settling in over the awards landscape and the painstaking studies into backlash physics yielding less and less of practical substance. What's a frustrated kudologist to do? Besides drink for the next four weeks straight, I mean. Let's look for ideas and encouragement for all in this week's Oscar Index.
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There's good news and bad news to begin this post-nomination, next-to-next-to-next-to-next-to-last installment of Oscar Index. The good news? It's kind of almost over! The bad news? Oy. Please don't make me repeat it.
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Thanks to the wonders of Twitter, we already know how Albert Brooks feels about this morning's brutal Oscar-nomination snub. But how is the rest of the Academy's snubculture faring? We may never know entirely, but at least their unofficial ambassador Patton Oswalt has the fan-fiction angle covered -- and it sounds like this group has the Governors Ball beat.
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Give the Academy some credit: They made awards season fun for a little bit longer. At least my mind was blown this morning as AMPAS president Tom Sherak and Jennifer Lawrence announced The Tree of Life, Extremely Loud & Incredibly Close, Demián Bichir and a few other shocks among the 2012 Oscar nominations.
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We're a little more than half a day away from learning who and what will compete for the 84th annual Academy Awards -- an elite class through which Movieline's Institute for the Advanced Study of Kudos Forensics had combed for four months in its fail-safe, fool-proof and bracingly handsome Oscar Index. This calls for one last sweep through each of the Academy's categories (with the exception of live-action, animated and documentary short, about which even our pointiest-headed Oscar wonk cannot speak yet with authority); check our team's work against your own, and drop back by Movieline tomorrow morning at 8:30 a.m. ET/5:30 a.m. PT as we deliver nominations, reactions, analysis and more.
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The brilliant haute spy character Modesty Blaise – created by British author Peter O’Donnell in 1963 and kept alive, through 2002, in a series of comic books and novels – has been botched on film so many times that those of us who love this urbane, intuitive temptress (with a flair for hand-to-hand combat) have mostly given up hope. Joseph Losey first missed the target with the 1966 Modesty Blaise; Scott Spiegel took another wobbly shot with the 2004 direct-to-video My Name Is Modesty: A Modesty Blaise Adventure. But the spirit of Modesty lives, by another name and in a different sort of story, in Stephen Soderbergh’s stylish, quietly exhilarating Haywire, which features mixed martial-arts star Gina Carano as a hit person with a smoldering, deadpan gaze and nutcracker thighs. She also, as it happens, looks killer in a cocktail dress.
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Smack in the middle of a two-week frame yielding two awards shows and a pair of nomination announcements that will culminate in this year's Oscar nods, the researchers at Movieline's Institute for the Advanced Study of Kudos Forensics have gained minimal insight into where the Academy may take the 2011-12 awards race in next Tuesday's final nominations. Or maybe they're all just sleeping. It's been that kind of year. Let's check their work in this week's Oscar Index.
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