There's good news and bad news to begin this post-nomination, next-to-next-to-next-to-next-to-last installment of Oscar Index. The good news? It's kind of almost over! The bad news? Oy. Please don't make me repeat it.
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Smack in the middle of a two-week frame yielding two awards shows and a pair of nomination announcements that will culminate in this year's Oscar nods, the researchers at Movieline's Institute for the Advanced Study of Kudos Forensics have gained minimal insight into where the Academy may take the 2011-12 awards race in next Tuesday's final nominations. Or maybe they're all just sleeping. It's been that kind of year. Let's check their work in this week's Oscar Index.
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What a week at Movieline's Institute for the Advanced Study of Kudos Forensics, where the pundits' hustle harmonized with the guilds' bustle to create a heavy-duty wake-up call for some otherwise dormant awards-season underdogs. They also telegraphed danger for a few juggernauts once thought unassailable. What does it all mean as we head into the Critics Choice and Golden Globe Awards weekend? To the Index!
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The first Oscar Index entry of 2012 finds Movieline's Institute for the Advanced Study of Kudos Forensics a little hungover from the holidays and lot bored from the protracted inertia of awards season. Not even this week's Producers Guild Award nominations could do much to shake up a contest that appears to be both wide open and solidifying into place at the same time. Let's investigate...
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Well, this should go pretty fast: The holiday week has offered a dearth of new narratives to trace and pulses to take, with only one film demonstrating any significant mobility in the studies coming out Movieline's Institute for the Advanced Study of Kudos Forensics. Let's get to it!
Screw Christmas. Forget Hanukkah. To hell with New Year's. There is only one holiday we celebrate in the dank, windowless labs of Movieline's Institute for the Advanced Study of Kudos Forensics, and that is Oscar Night. Thus the latest edition of Oscar Index, offering all the festive year-end joy you can possibly stand. Let's get to it!
It wasn't so long ago that I enjoyed my own reunion with Titanic, but this time, James Cameron invites everyone to Titanic 3-D, the Avatar'd-up revamp of his 1997 blockbuster. What parts are you looking forward to seeing in 3-D? Leonardo DiCaprio's shabby togs? Kate Winslet's unadorned areolas? Kathy Bates's contempt? You'll get them all in April, 2012, which marks the 100th anniversary of the Titanic disaster. Trailer after the jump.
While it didn't quite slay Jack and Jill at the box office -- a more resounding spanking might've restored my faith in humanity, but many, many folks still came out for the Adam Sandler twinsies comedy -- Tarsem's fantasy actioner Immortals exceeded expectations on its way to a surprising $32 million number one opening, the best ever debut for studio Relativity Media. Also: Puss in Boots and Tower Heist continued to slide down the ranks, with J. Edgar making a decent go of things to round out the Top 5. Dive in for your Weekend Receipts!
As Lily Tomlin's Ernestine once said, "There's nothing like a Hoover when you're dealing with dirt." Clint Eastwood's J. Edgar could use more dirt: This is a sensitive, sympathetic portrait of a scummy little man, an earnest attempt to map the contours and contradictions of a complicated son-of-a-bitch. But it's all too earnest, to the point of serving, unwittingly or otherwise, as an apologia. Even Eastwood's attempt at a poignant Hoover death scene fails to hit the mark: I for one would want to stick the guy with a pin to make sure he was really dead.
Leonardo DiCaprio tried his best to buck Clint Eastwood's reputation as a one-take director but it turns out that his J. Edgar co-star Armie Hammer had a totally difference experience than the leisurely ten-take routine described at last week's press conference. "There would be takes that we did where I was under the impression we were shooting a rehearsal," Hammer told Moviefone. "Or that the cameras weren't even on ... and that's what we used. [...] At one point he was like, "OK, cut, print." And I was like, "Whoa, whoa, Clint, I had my sides in my hands, I thought we were just rehearsing that." [Moviefone]
At the press conference for J. Edgar, which premiered last night at AFI Fest to mixed, often hilarious reviews, stars Leonardo DiCaprio, Armie Hammer and Naomi Watts joined director Clint Eastwood, screenwriter Dustin Lance Black and producer Brian Grazer fielded questions about the very issues that make the biopic seem difficult to make: the ambiguity surrounding both Hoover and his confidants' personal lives. Movieline culled the best five quotes from the panel, one of which involves 81-year-old Eastwood's on-set brawling.
It's week three of the 2011-12 Oscar Index, and the latest measurements, readings and conclusions are in from Movieline's Institute for the Advanced Study of Kudos Forensics. And aside from a few startling exceptions, they don't look that different than the ones disseminated here last week. But make no mistake: Like it or not, stuff is happening! Read on for the latest developments.
Oh, great. Just when we thought Armie Hammer's kiss with Leonardo DiCaprio in Clint Eastwood's upcoming J. Edgar Hoover biopic was going to be explosive, Eastwood himself is confirming that he's leaving the first FBI director's sexual orientation "open to interpretation." I know a certain TV personality who might have damning evidence to the contrary.
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