The first Oscar Index entry of 2012 finds Movieline's Institute for the Advanced Study of Kudos Forensics a little hungover from the holidays and lot bored from the protracted inertia of awards season. Not even this week's Producers Guild Award nominations could do much to shake up a contest that appears to be both wide open and solidifying into place at the same time. Let's investigate...
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Well, this should go pretty fast: The holiday week has offered a dearth of new narratives to trace and pulses to take, with only one film demonstrating any significant mobility in the studies coming out Movieline's Institute for the Advanced Study of Kudos Forensics. Let's get to it!
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Screw Christmas. Forget Hanukkah. To hell with New Year's. There is only one holiday we celebrate in the dank, windowless labs of Movieline's Institute for the Advanced Study of Kudos Forensics, and that is Oscar Night. Thus the latest edition of Oscar Index, offering all the festive year-end joy you can possibly stand. Let's get to it!
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As Lily Tomlin's Ernestine once said, "There's nothing like a Hoover when you're dealing with dirt." Clint Eastwood's J. Edgar could use more dirt: This is a sensitive, sympathetic portrait of a scummy little man, an earnest attempt to map the contours and contradictions of a complicated son-of-a-bitch. But it's all too earnest, to the point of serving, unwittingly or otherwise, as an apologia. Even Eastwood's attempt at a poignant Hoover death scene fails to hit the mark: I for one would want to stick the guy with a pin to make sure he was really dead.
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Leonardo DiCaprio tried his best to buck Clint Eastwood's reputation as a one-take director but it turns out that his J. Edgar co-star Armie Hammer had a totally difference experience than the leisurely ten-take routine described at last week's press conference. "There would be takes that we did where I was under the impression we were shooting a rehearsal," Hammer told Moviefone. "Or that the cameras weren't even on ... and that's what we used. [...] At one point he was like, "OK, cut, print." And I was like, "Whoa, whoa, Clint, I had my sides in my hands, I thought we were just rehearsing that." [Moviefone]
At the press conference for J. Edgar, which premiered last night at AFI Fest to mixed, often hilarious reviews, stars Leonardo DiCaprio, Armie Hammer and Naomi Watts joined director Clint Eastwood, screenwriter Dustin Lance Black and producer Brian Grazer fielded questions about the very issues that make the biopic seem difficult to make: the ambiguity surrounding both Hoover and his confidants' personal lives. Movieline culled the best five quotes from the panel, one of which involves 81-year-old Eastwood's on-set brawling.
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Julia Roberts shot newbie director Dennis Lee's ensemble family drama Fireflies in the Garden four years ago, but after an infamously disastrous Berlin Film Festival showing and distributor drama at Senator Films, the indie film languished for years on the shelf. Last night at their premiere in Los Angeles Lee told Movieline how Roberts saved the film from direct-to-video hell and Roberts explained why her upcoming project, Snow White, will be worth the price of admission.
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It's week three of the 2011-12 Oscar Index, and the latest measurements, readings and conclusions are in from Movieline's Institute for the Advanced Study of Kudos Forensics. And aside from a few startling exceptions, they don't look that different than the ones disseminated here last week. But make no mistake: Like it or not, stuff is happening! Read on for the latest developments.
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Mortal Kombat isn't the most esteemed video game franchise, but its coterie of bloodthirsty fighters is one of the most beloved in gaming history. Sure, the 1995 movie adaptation was a dud, but it was a magnificent dud with a throbbing Jock Jams soundtrack and a provocative cast. (Where have you gone, Bridgette Wilson-Sampras?) Since the 2013 reboot has a chance of reigniting interest in the age-old series, let's cast our dream players in five of the main roles.
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Big, bad news, Lone Ranger fans: According to Deadline, Disney has decided to halt production on Gore Verbinski's The Lone Ranger, which was to star Johnny Depp as Tonto and Armie Hammer as the titular masked crusader. The pricey blockbuster was to begin filming this October, but too many other $200M+ projects set up at the studio may have led to the project's demise.
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Oh, great. Just when we thought Armie Hammer's kiss with Leonardo DiCaprio in Clint Eastwood's upcoming J. Edgar Hoover biopic was going to be explosive, Eastwood himself is confirming that he's leaving the first FBI director's sexual orientation "open to interpretation." I know a certain TV personality who might have damning evidence to the contrary.
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"That was really nice!" exclaimed 13-year-old Elle Fanning at Friday night's Young Hollywood Awards, where the actress picked up Actress of the Year honors. Presented the award by film legend Francis Ford Coppola (he cast her in his next film, Twixt Now and Sunrise, after seeing her in daughter Sofia's Somewhere), Fanning brought the house down at L.A. Live by doing what more seasoned actors might have held back. She cried.
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In this summer's swashbuckling sequel Pirates of the Caribbean: On Stranger Tides, British newcomer Sam Claflin goes toe to toe with Captain Jack Sparrow (Johnny Depp) and a much more fearsome pirate: Blackbeard (Ian McShane), the legendary captain of a zombie ship on a quest to find the Fountain of Youth. But while Claflin holds his own as idealistic young Philip Swift, the missionary who falls for a mermaid (Àstrid Bergès-Frisbey) and defies Blackbeard on pain of death, in real life he owes a debt of gratitude to the erstwhile Al Swearengen.
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He's 6'5", 220 pounds, and there's... one of him! According to Deadline, The Social Network's Armie Hammer has been tapped for Gore Verbinski's The Lone Ranger, in which he'll play the titular Old West masked crusader opposite Johnny Depp as Tonto. After the film's long and winding road to development, Hammer marks the last major piece of the HR puzzle although Disney and producer Jerry Bruckheimer have yet to find the requisite love interest and villain. Any ideas as to who'd make a good foil to both Hammer's stoic All-American boyishness and Depp's worldly swagger? [Deadline]
