In 2009 Chris Colfer rocketed to stardom as the out and proud Kurt Hummel on Fox's Glee, a role that nabbed him two Emmy nominations, a Golden Globe, and the adoration of legions of fans worldwide. This week the 22-year-old actor, singer, New York Times bestselling author, and screenwriter makes his feature film debut in Struck By Lightning, in which he stars as an ambitious small town teenager killed by a bolt of lightning, a coming-of-age story which he also scripted.
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Glee's Chris Colfer returns to high school in new feature, Struck By Lightning, but instead of singing and dancing, his character is a ruthless aspiring journalist extraordinaire and he needs help from his fellow students on a project. The problem is, he's very unpopular, but their cooperation may mean the difference between getting into Northwestern University or not and his wider plans at literary world domination.
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Two teen-oriented comedies this season share much in common, from a gleeful embracing of the spirit of youthful recklessness to the idea that geeks will indeed inherit the earth. One is among the better comedies we’re likely to see this year; the other is by far, on its face, the sleaziest. Both were penned by the same actor-turned-screenwriter, Michael Bacall, who also captured the slings and arrows of slacker youth heroism in 2010’s Scott Pilgrim vs. the World. So why are Project X and 21 Jump Street so diametrically opposed when it comes to depicting the youth of today?
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Glee has scored another Oscar-winning guest star. Nearly eight months after Gwyneth Paltrow's last episode, the Fox musical series has cast Helen Mirren in a role that was written explicitly for the British actress.
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First, George Lucas loaned Yoda to a Japanese instant noodle company in need of a marketing face (and wisdom applicable to ramen). And now, in an even bigger burn to U.S. Star Wars fans, the franchise creator has shipped Chewbacca to the set of Glee for a one-episode arc. What is this world coming to?
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Gwyneth Paltrow has a habit of saying things that inspire me to take notes, fill a bulletin board with theories, and question my own feelings. Today's incendiary soundbite: a seemingly off-the-cuff remark from the Cee Lo foil regarding the roles she takes: "I have little kids, and I'm a full-time mom. I really only do small parts." Considering her role in Contagion is a short one -- she's only in the first 15 minutes -- and her newly announced ensemble role in Stuart Blumberg's upcoming sex addiction comedy Thanks for Sharing, is it possible that we should be mourning her status as a leading lady? Will you attend the memorial?
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One of the running gags in Fox's effervescent hit high school series Glee is that no matter how things occasionally come up roses for the show choir freaks and geeks of McKinley High, there's always someone, slushie in hand, waiting to take the Gleeks down a peg or two back to cold, brutal reality. Ironically, it's that same multicolored frozen treat, globbed at the screen in slow-motion over the end credits of Glee: The 3D Concert Movie, that underscores a similar, sad burst of recognition that's perhaps been long coming: For all the uplifting, inclusive good that Glee inspires in its young target demographic, it's a property that's become high on its own self-projected, self-congratulatory fantasy of "fuck the haters" do-goodingness. And there's nothing more that Glee needs or deserves right now than a slushie to the face.
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With the immortal words, "TWITTER- PRE PIMPHANDED GWYNETH PALTROW win," Glee's Kevin McHale ascended to the heights of slushie-proof popularity by posing in the hallways of McKinley High, prepared to do violence unto Gwyneth "Forget You" Paltrow as a horrified Heather Morris looked on in shock holding something resembling a fruit cup. Somehow we don't think McHale anticipated the unabashed glee (zing!) the world might get from the idea of slapping Oscar singing sensation Paltrow in the face, and here at Movieline we wouldn't condone violence to anyone, regardless of their relentless warblings on television shows, the CMAs, the Grammys, and the Academy Awards, but there you have it. Caption it after the jump!
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Whether you watched it for the $3 million ads, the halftime show, or the men in tight spandex pants shoving each other up and down a grassy field, Super Bowl XLV was rich with memorable moments. Some got your geek pulse racing (ZOMG guys, it's Red Skull!). Others were expensive lapses in judgment (tsk tsk, Groupon) or unfortunate brain farts (Xtina, we're looking at you.) Relive the glory and the wonder as Movieline counts down the best and worst moments of Super Bowl 2011.
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