2012 was a ho-hum year for "serious" cinema. As proof, the Oscar race has narrowed to films like the chipper Argo and dreary Zero Dark Thirty — a chase so routine that the alternative is a Steven Spielberg period piece as wholesome and agreeable as enriched bread. But it was also a banner year for the films that we'll still want to watch in 2022: Ambitious over-reachers (Cloud Atlas, The Master, Les Miserables), loony passion projects (Killer Joe, Magic Mike, The Paperboy), and perfect popcorn flicks (Step Up 4, The Expendables 2, Premium Rush).
That last category is frequently left off top ten lists, but it deserves our applause. When studios get tired of risking $250 million on a single blockbuster (and audiences get tired of paying $14 just to keep up with water cooler conversation), mid-priced modest hits like Looper will be our collective salvation — and help build the next generation of filmmakers and stars. The films that made my Top Ten did so because they were bold, memorable and flawless (or at least two of the three). But of course, if critics can judge art, we should take our own creative risks. And so I've written my remarks in haiku.
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Also in Monday morning's brief roundup, the American Black Film Festival will celebrate Think Like a Man, Moonrise Kingdom and Best Exotic Marigold Hotel reign in the specialty box office, while The Avengers passes a new milestone. And the team behind 21 Jump Street take on resuscitating a floundering project.
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The annual pageant of youth, taste and class hardware bacchanal known as the MTV Movie Awards has announced its nominations for 2012, with this year's most formidable blockbuster to date, The Hunger Games, doing battle against the most formidable blockbusters of last year's calendar, including Bridesmaids, Breaking Dawn: Part I, Harry Potter and the Deathly Hallows: Part 2, The Help, and others. And Drive loyalists rejoice! Your favorite head-shattering action-drama of 2011 has been honored with three nominations as well. Read on for the full list of contenders who will go at it in a fully-product placement-optimized Gibson Amphitheater on June 3.
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You had about as much chance of winning last Friday's lotto jackpot as either Wrath of the Titans or Mirror Mirror had of knocking off the blockbuster incumbent Hunger Games in the box-office sweepstakes, but at least the two new releases didn't have a totally losing ticket. Meanwhile, at least one aggressive holdovers is making its money the old-fashioned way. Your Weekend Receipts are here.
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Lionsgate needed it, and Lionsgate got it: The beleaguered studio's Hunger Games gamble paid off in record-shattering fashion over the weekend, milking smart social-media strategy with old-fashioned saturation marketing — not to mention an honest-to-goodness good film — on the way to $155 million in three days. $155 million. As in the third biggest opening ever. You weekend receipts are here.
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Despite the stiff competition of the NCAA tournament and the local bar, the multiplex fared all right over St. Patrick's Day weekend: The single new wide release 21 Jump Street was a hit, and The Lorax retained its blockbuster status in its third week of release. Not bad! Your Weekend Receipts are here.
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There was no shortage of stars coming through SXSW 2012, debuting films and projects as diverse as Joss Whedon's Cabin in the Woods to Lena Dunham's HBO series GIRLS. Take a look and see who else dropped in on Austin, Texas for the annual film festival, including: Channing Tatum, Jonah Hill, and their 21 Jump Street crew, Willem Dafoe, Al Gore, Johnny Knoxville, Melissa Leo, Matthew McConaughey, Jack Black, Aubrey Plaza, Gabrielle Union, Bobcat Goldthwait, new director (!) Matthew Lillard, two Broken Lizards, model-turned-actress Dree Hemingway, and more.
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Will it be as cool as Jonah Hill's Rolex? "It is an expensive watch. My dad said — my dad's a watch guy — when you get any little bit of money, I want you to go out and buy a watch that you can't afford, because you'll have it for the rest of your life, and every time you look at what time it is, you'll see how hard you've worked. That you've worked for that watch." [The Awl]
There’s a peculiar kind of pleasure to be found in watching Channing Tatum and Jonah Hill, in 21 Jump Street, horsing around and generally acting like doofuses for our amusement. As rookie cops assigned to patrol — by bicycle — a city park, they’re more than ready to prove their tough-guy status: When they spot a bunch of biker guys experiencing the joys of cannabis beneath a tree, they strut toward the gang in their shorts and bike helmets, but not before flipping their kickstands down with a mighty thwack. Later, Hill says a fervent prayer in the Catholic church that serves as headquarters for the undercover unit to which the duo has been assigned, its sign outside reading, in mistranslated Korean, “Aroma of Christ Church.” Hill kneels in front of the crucifix, beginning his urgent plea with the words, “Hey, Korean Jesus…” That irreverent riff captures the tone of the whole picture — it’s a ramshackle thing, a goof on the idea that anyone might actually care about a movie based on an old TV show, or that anyone might actually care about a movie at all.
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It wasn't tough to spot Channing Tatum or Jonah Hill at the after party following the SXSW premiere of 21 Jump Street; they were the ones, beaming unselfconsciously in the middle of the crowd, wearing bicycle-cop uniforms. More specifically, wearing their costumes from the movie, in which they play a pair of bumbling rookie policemen sent undercover to high school -- a set-up that so delivers beyond its premise that the '80s Johnny Depp TV series adaptation is actually one of the best new films of 2012, comedy or otherwise.
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Each year SXSW plays host to a slate of risk-taking fare of all kinds, from true indie offerings to upcoming studio releases geared to a slightly more open crowd, and the 2012 film line-up features no shortage of movies poised to earn that precious film festival commodity: Positive buzz. But some projects have more at stake than others -- say, Joss Whedon and Drew Goddard's long-awaited Cabin in the Woods, Will Ferrell's Spanish-language comedy Casa de mi Padre, or the directorial debut of actor Matthew Lillard. On the eve of SXSW 2012 (which runs March 9-17 in Austin, Texas), check out the ten SXSW titles with the most to prove going into their festival debuts.
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Two teen-oriented comedies this season share much in common, from a gleeful embracing of the spirit of youthful recklessness to the idea that geeks will indeed inherit the earth. One is among the better comedies we’re likely to see this year; the other is by far, on its face, the sleaziest. Both were penned by the same actor-turned-screenwriter, Michael Bacall, who also captured the slings and arrows of slacker youth heroism in 2010’s Scott Pilgrim vs. the World. So why are Project X and 21 Jump Street so diametrically opposed when it comes to depicting the youth of today?
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SXSW routinely boasts the most varied and neverending film line-up of the year, and the just-announced 2012 behemoth of a roster is no exception. So let's make it a wee bit easier to take in, shall we? After the jump find the buzzworthiest titles among the 100+ features and documentaries debuting this March in Austin, from major upcoming studio peeks (21 Jump Street) to docs (a new Jessica Yu!) and much smaller (but potentially completely awesome) fare.
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In spite of our hesitations about a 21 Jump Street film, Movieline thoroughly enjoyed last month's red band trailer for the feature adaptation of the '80s television series. It teased the quippy chemistry of stars Jonah Hill and Channing Tatum in a goofy buddy cop comedy similar in tone to Owen Wilson and Ben Stiller's Starsky & Hutch reboot. But instead of infiltrating motorcycle gangs and Bat Mitzvahs, a new 21 Jump Street trailer proves that this ditzy male duo have a hard enough time uncovering a drug ring in between their afternoon chores and sad dance moves at prom.
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Aside from a few honors of the Teen Choice and MTV Movie variety, newly minted Screen Actors Guild Award and Golden Globe nominee Jonah Hill is an awards virgin -- which makes this year's lead-up to the Oscars particularly exciting for the actor, who earlier this year impressed critics with his role in Moneyball as Brad Pitt's Ivy League-educated, number-crunching Oakland A's wingman. The role, like his 2010 titular turn in Cyrus, was a welcome departure from the wise-cracking characters audiences have grown accustomed to seeing him play, from the early days of Knocked Up and Superbad to last weekend's The Sitter. Next up, Hill uses his sarcastic charm to crack down on a high school drug ring in the March 16 feature adaptation of 21 Jump Street, which Hill also wrote and produced.
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