Now that Disney has announced that the Brad Bird /Damon Lindelof project originally known as 1952 will officially be called Tomorrowland (and that George Clooney will star), I simply must share my fever-dream theory that this movie could be about early space travel. more »
From yester-year - in this case, 1952 - to tomorrow, Disney is so far only offering a glimpse into Brad Bird's live-action feature in the form of a new title.
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Where have you read this before? "In December, Paramount made the unconventional decision to release Ghost Protocol exclusively in IMAX theaters five days before broadening its release. The move, which Mr. Bird advocated, helped catapult the film to the No. 1 spot when it went wide the following week on the way to becoming the highest-grossing Mission Impossible installment yet. For Mr. Bird, the point is that the typical multiplex theater lacks excitement. When he was young, he says 'if you wanted to see a brand new movie, the only way was to see it perfectly projected in a really big theater with the bulb turned all the way up and an attentive projectionist.'" Adds Christopher Nolan: "These were cameras that had been to the top of Mount Everest, to the bottom of the ocean and into outer space, but people thought we couldn't make a feature film. It was absurd." [WSJ]
After years of foisting dashed-off 3-D — and its inflated ticket prices — on movie audiences, studios may have found their most reliable ally yet in shoring up box office: IMAX. And not just the punch and potential of the brand's own 3-D, either, but good old conventional 2-D as well.
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It's time to do some shopping, kids. After a week of semi-reasonable Golden Globe nominations (!) and the tragic downfall of The Daldry, I'm throwing away wads of cash at the Glendale Americana and never looking back. Do you think they sell the exotic headgear Elizabeth Taylor wore in Raintree County? Maybe at Zara or something? I don't know. Let's review the week and run away somewhere.
After earning back-to-back Academy Award nominations -- in 2010, for his breakout role in Kathryn Bigelow's The Hurt Locker and in 2011, for his supporting part in Ben Affleck's Boston crime drama The Town -- Jeremy Renner decided to dive headfirst into the action genre with four consecutive big-budget action projects. The first, Mission: Impossible - Ghost Protocol, which co-stars Renner as a mysteriously overqualified IMF agent assisting Tom Cruise's Ethan Hunt on his latest globe-sweeping assignment, premieres this weekend in IMAX. The next three films, Hansel and Gretel: Witch Hunters, The Avengers and The Bourne Legacy, will all hit theaters next year, making the California-raised actor the busiest action star of 2012.
What does it take to revive a passion for one's work, years on, whether said vocation is saving the world or churning out sequels in a blockbuster franchise? How does one reclaim human contact in today's isolating, gadget-dependent world? These are questions IMF agent Ethan Hunt and his portrayer Tom Cruise face in Mission: Impossible -- Ghost Protocol, Cruise's fourth outing in the spy series, directed entertainingly enough by Pixar veteran Brad Bird. If the hoodied Cruise evokes a touch of Eminem-level moodiness in the posters, it's with good reason: Stopping a maniacal supervillain may be on the docket yet again, but this time around Ethan Hunt has gone emo.
When Tom Cruise adapted the Mission: Impossible television series for the screen in the mid-'90s, he made an interesting decision: Instead of branding the spy franchise himself, he would let different directors customize each installment according to their unique strengths and visions. Following three distinct Mission: Impossible takes from Brian De Palma, John Woo and J.J. Abrams, Academy Award-winning filmmaker Brad Bird -- who, before Ghost Protocol, had never helmed a live action feature -- stepped up to the plate for the fourth M:I installment.
This Dec. 16, Mission: Impossible - Ghost Protocol premieres in IMAX five days in advance of its general release. Why exactly? Probably to encourage fans of the Tom Cruise franchise to see the picture in the large format director Brad Bird intended when he shot thirty minutes-worth of the fourth Ethan Hunt film in IMAX. To convince journalists that the large format is indeed worth higher ticket prices, an advance release date and a little early buzz, Paramount screened about 20 minutes worth of wild action sequences at the Rave 18 theater in Los Angeles last week. Ahead, the stomach-flipping details (and very mild spoilers).
How hardcore is Tom Cruise? So hardcore that he actually scaled the tallest structure in the world -- Dubai's Burj Khalifa, which stands at just over a half-mile high -- for a perilous, stomach-churning action sequence in the upcoming Brad Bird-directed Mission Impossible: Ghost Protocol. Video proof of the superstar's stunt hardcore-ness ahead.
Pixar watchers and action fans alike were waiting to see what Oscar-winning animation veteran Brad Bird might do with the reins to the Mission: Impossible franchise, and the first wave of promo materials offers an answer: Pretty much what anyone would do with a slick, globe-trotting, high-octane Tom Cruise vehicle. Can we find greater detail in the first batch of stills from Mission: Impossible -- Ghost Protocol?
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