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Weekend Receipts || ||

Argo Tops A Disappointing Box Office; 4 Newcomers Bow Weak

Argo Tops A Disappointing Box Office; 4 Newcomers Bow Weak

All four studio releases debuted with a whimper at best and tanked at worst. Ben Affleck's Argo topped the box office in a disappointing weekend. It is hard to estimate the impact on the onslaught of Hurricane Sandy had on Sunday on the East Coast as residents scurried to get ready for the storm, but the weekend's box office took a hit nevertheless. Strong word-of-mouth made Argo one of the lone stars of the weekend.

1. Argo
Gross: $12,355,000 (Cume: $60,780,288)
Screens: 2,855 (PSA: $4,327)
Week: 3 (Change: - 24.9%)

Argo finally made it to number one three weeks into its release. But it was mostly by default because its competition from newcomers failed to make the box office grade. Still, Argo showed bravado on its own, with only a small dip in its returns, despite losing 392 locations. Word of mouth is clearly propelling the Ben Affleck-directed political thriller that is a strong contender for awards this season. A $100 million gross is certainly not out of the question.

2. Hotel Transylvania
Gross: $9.5 million (Cume: $130,434,000)
Screens: 3,276 (PSA: $2,900)
Week: 5 (Change: - 26.9%)

The animated feature jumped from fourth place last week to second in its fifth round. The $130 million-plus cumulative makes it one of Sony Pictures Animation's top animated-only pic. It will eventually overtake The Smurfs, which grossed $142.6 million.

3. Cloud Atlas
Gross: $9.4 million
Screens: 2,008 (PSA: $4,681)
Week: 1

Six slightly connected stories told over two hours and forty-four minutes was bound to be a marketing challenge. The pic received a C+ CinemaScore, so it's going to be a steep trek for this $100 million movie sees any profit. Its recognizable cast should help it as it heads overseas. While it's the best of the weekend's newcomers, it clearly didn't connect with audiences at the level needed.

4. Paranormal Activity 4
Gross: $8,675,000 (Cume: $42,632,365)
Screens: 3,412 (PSA: $2,542)
Week: 2 (Change: - 70.1%)

The pic fell a heavy 70% from its opening weekend when it opened at number one with a $30.2 million open and an $8,851 screen average. The drop was steeper than Paranormal Activity 3's 66 percent drop. The third installment had grossed about $10 million more than the current pic by this point in its release.

5. Silent Hill: Revelation (3-D)
Gross: $8 million
Screens: 2,933 ($2,728)
Week: 1

A weak opening for the pic, which is off 60 percent from the first movie's $20.15 million debut. Competition from Paranormal Activity 4 and Sinister likely weighed in in suppressing box office activity for the title.

6. Taken 2
Gross: $8 million (Cume $117,389,000)
Screens: 2,995 (PSA: $2,671)
Week: 4 (Change: - 39.7%)

The title lost 494 theaters compared to its third weekend and essentially tied with newcomer Silent Hill: Revelation (3-D) in the overall box office chart. Taken 2 is holding solid, beating out the first installment by $22 million.

7. Here Comes the Boom
Gross: $5.5 million (Cume: $30,610,472)
Screens: 2,491 (PSA: $2,208)
Week: 3 (Change: - 34.6%)

The film remained in seventh place in the b.o. chart, dropping over 34% and losing 523 theaters. Last weekend it averaged $2,820 compared to $3,981 in its debut.

8. Sinister
Gross: $5.07 million (Cume: $39,514,955)
Screens: 2,347 (2,160)
Week: 3 (Change: - 42.5%)

The title dropped 195 theaters in its third round and dropped a fairly strong 42 percent plus. But with a production budget of only $3 million, the title is a clear success and its roll-out will continue. Last weekend it averaged $3,552.

9. Alex Cross
Gross: $5.05 million (Cume: $19,368,691)
Screens: 2,541 (PSA: $1,987)
Week: 2 (Change: - 55.7%)

The pic dropped nearly 56%, a steep one for the titles second round. It added two locations and its $1,987 average compares to $4,489 in its debut. The crime thriller's $35 million production budget means it has a tough road given its slow momentum.

10. Fun Size
Gross: $4.06 million
Screens: 3,014 (PSA: $1,347)
Week: 1

Ouch, one of the worst of the weekend's new offerings, the film clearly tanked with audiences.

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13. Chasing Mavericks
Gross: $2.2 million
Screens: 2,002 (PSA: $1,099)
Week: 1

The worst of the newcomers, the film failed to make the top ten even though it opened wide. The debut is the ninth worst ever for a film opening in over 2,000 theaters.

Weekend Receipts || ||

Paranormal Activity 4 Debuts Atop The Box Office Though Somewhat Soft; Ben Affleck's Argo Robust

Paranormal Activity 4 Debuts Atop The Box Office Though Somewhat Soft; Ben Affleck's Argo Robust

A decent weekend overall, Paranormal Activity 4 lead the pack, though its debut came in rather slow, compared to previous installments. Argo held strong in its second weekend, showing word-of-mouth is cementing its box office prowess, while Hotel Transylvania, Taken 2 and Alex Cross rounded out the top five at the weekend box office.
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Newswire || ||

Argo Subject Breaks Down Real Iran Escape vs. Hollywood Version

Argo Subject Breaks Down Real Iran Escape vs. Hollywood Version

Calling Ben Affleck's Argo a "terrific thriller," one of the six Americans who managed to escape the U.S. embassy just as student radicals took over the compound by fleeing into Tehran's streets has set a bit of the record straight.

Mark Lijek, who's portrayed by Christopher Denham in Affleck's awards contender, spoke out after attending the film's L.A. premiere, giving his detailed version of events. And while there are strong parallels with the film, which began its release last week and has garnered Oscar buzz, the timeline of real-life events had some significant departures from the film, which Affleck starred in and directed. Still, Lijek did learn one thing from the film, which surprised him all these years later. (Caution, spoilers if you have not seen the movie).
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Close Reads || ||

South Park's Butters Tells Mr. & Mrs. Ben Affleck 'Argo F-Yourself!'

South Park's Butters Tells Mr. & Mrs. Ben Affleck 'Argo F-Yourself!'

South Park is either getting seriously meta, or bizarrely free-associative in its advanced age.  The beginning of Wednesday night's new episode of the Comedy Central series saw the relentlessly cheerful and naively optimistic character Butters Stotch become a pint-sized rageaholic that is initially attributed to his Hawaiian roots, but later turns out to be about the charmed life of Ben Affleck. more »

Review || ||

REVIEW: More Fine Filmmaking (But Not Acting) From Ben Affleck In Argo

REVIEW: More Fine Filmmaking (But Not Acting) From Ben Affleck In Argo

Argo is the story of a film that never existed, a Star Wars rip-off set in a sci-fi world with a conveniently Middle Eastern feel. If the movie ever actually made it into production, it looks like the kind of thing you'd stumble upon while doing some insomnia-fueled TV-channel flipping in the small hours of the morning: a forgotten space opera featuring sparkly costumes and melodramatic dialogue. more »

Politics || ||

George Clooney On Innocence of Muslims Makers: Freedom of Speech Means 'The Idiots Get To Have Their Say'

George Clooney On Innocence of Muslims Makers:  Freedom of Speech Means 'The Idiots Get To Have Their Say'

This idea came to me before I actually saw Argo on Tuesday night, but now that I have seen Ben Affleck's gripping, well-directed film, I can't let it go.  When I learned about the plot of the movie — in which a CIA agent (Affleck), a Hollywood make-up artist (John Goodman) and a movie producer (the wonderful Alan Arkin) — gin up a fake movie to rescue a group of diplomats trapped in Iran during the hostage crisis — it struck me that Argo was the inverse or the flip side of another fake movie that got a lot of press this past summer: Innocence of Muslims. more »

On the Scene || ||

Ben Affleck, Bryan Cranston Chat Argo At Glittering NYC Premiere

-New York, NY - 10/09/2012 - New York Premiere of Warner Bros. New Film "Argo"-PICTURED: John Goodman,Alan Arkin,Ben Affleck,Bryan Cranston-PHOTO by: Marion Curtis/Startraksphoto.com-Filename: MC602374.JPG-Location: Time Warner Screening Room and Porterhouse RestaurantStartraks Photo New York, NY For licensing please call 212-414-9464 or email sales@startraksphoto.com

Tuesday night was a celebrity bonanza at the Time Warner Center in New York's Columbus Circle for the New York premiere of director/star Ben Affleck's acclaimed Argo. Stars Bryan Cranston, Alan Arkin, John Goodman as well as producers George Clooney and Grant Heslov were just part of the cortege of A-listers and New York glitterati who dined at the Porter House Steakhouse where Affleck held the spotlight in the bar talking to folks. Guests were divided into two screenings of the Toronto and Telluride film festivals world premiere based on the true story about a CIA agent (Affleck) who rescues six Americans hiding in the Canadian embassy at the dawn of the Iranian hostage crisis that began in November 1979. ML caught up with actor Bryan Cranston as well as Affleck at the event.
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Watch This || ||

Former President Jimmy Carter Tells Real Life Tale In Behind-The-Scenes Argo Clip

Former President Jimmy Carter Tells Real Life Tale In Behind-The-Scenes Argo Clip

Former President Jimmy Carter gives Ben Affleck's talked-about new movie Argo a shot of credibility in this behind-the-scenes clip from the movie.  The former Commander in Chief, whose presidency was hobbled by the Iranian hostage crisis — during which 52 Americans were held for 444 days from Nov. 4, 1979 to Jan. 20, 1981 — acknowledges that, as told in Argo, there were six diplomats who managed to evade capture and were spirited out of the country as the crew of a fake Canadian science-fiction movie. more »

Newswire || ||

Ben Affleck Says Republicans 'Had A Chance' But Gives Low-Key Obama Support

Ben Affleck Says Republicans 'Had A Chance' But Gives Low-Key Obama Support

Not afraid to show off his political side, Ben Affleck is giving his take on the current U.S. Presidential campaign. Hitting the road promoting his political thriller Argo, the director and star of the film compared Republican nominee to past hopefuls who did not make it to the White House. A past ardent supporter of liberal causes and a full-fledged Obama fan four years ago, Affleck only offered tepid support for the incumbent.
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Festivals || ||

Love, Marilyn, Argo & Not Fade Away Set For Hamptons Film Festival

Love, Marilyn, Argo & Not Fade Away Set For Hamptons Film Festival

Liz Garbus' documentary Love, Marilyn will have its U.S. premiere at the 20th edition of the Hamptons International Film Festival in the tony Long Island, NY town of East Hampton, while David O. Russell's Silver Linings Playbook will open HIFF in neighboring Southampton the following day. Both films debuted recently at the Toronto International Film Festival, with Playbook picking up the Audience Prize over the weekend. Fellow TIFF title Argo by Ben Affleck will screen as the five-day festival's Centerpiece, while Paramount Vantage's Not Fade Away will close out the event.
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The 2-Minute Verdict || ||

Trailer for Ben Affleck's Argo Teases Bizarre Slice of Hollywood-CIA History

Ben Affleck - Argo trailer

Ben Affleck, director, makes his most ambitious movie yet in this fall's Argo, the crazy true (and until recently, secret) story of how the CIA attempted to rescue six American diplomats during the 1979 Iran hostage crisis by disguising them as a film crew working on a science fiction movie. The first trailer for Argo ranks up there with the best we've seen all year, setting up the stranger-than-fiction premise with juicy moments from veteran thesps (John Goodman! Alan Arkin!) and up-and-comers (ladies and gentlemen, Scoot McNairy) alike as Affleck serves up a bizarre slice of history.
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Newswire || ||

John Goodman in Negotiations to Play Hollywood Expert in Ben Affleck's Argo

John Goodman in Negotiations to Play Hollywood Expert in Ben Affleck's Argo

John Goodman is reportedly negotiating to join Ben Affleck's Argo, the period political drama about a real-life covert operation to rescue six U.S. diplomats during the Iran hostage crisis in 1979. The kicker, and where Goodman comes in, is in the unusual circumstances of said rescue, in which the Canadian government enlisted Hollywood make-up and effects experts John Chambers and Bob Sidell to help the Americans escape in disguise as crew members of a fake science fiction film.

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