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Review || ||

REVIEW: Lizzy Caplan's Hipster Commitment-Phobe Carries Relationship Drama 'Save The Date'

REVIEW: Lizzy Caplan's Hipster Commitment-Phobe Carries Relationship Drama 'Save The Date'

Save the Date, the new film from director Michael Mohan (One Too Many Mornings), is a neat, lightweight little hipster romance about commitment issues between people barely ready to confront what they want, much less tell others about it. (I hate to use the h-word, but there's really no avoiding it when talking about a film in which an artist/bookstore employee breaks up with a guy in a band and starts dating a marine biologist who's been mooning over her at work.) more »

Watch This || ||

WATCH: Lizzy Caplan Looks Sad In 'Save The Date' Rom-Com Trailer

WATCH: Lizzy Caplan Looks Sad In 'Save The Date' Rom-Com Trailer

The critics blurbs in this clip say "romantic comedy" — as does the purple sex-toy scene — but the melancholy soundtrack and the sad, pensive looks on Lizzy Caplan and Alison Brie's faces say bring some Puffs when you see Michael Mohan's Save the Date. more »

Review || ||

REVIEW: Ambitious Five-Year Engagement Explores the Confusion of Couplehood in Grown-Up Ways

REVIEW: Ambitious Five-Year Engagement Explores the Confusion of Couplehood in Grown-Up Ways

The Five-Year Engagement begins where a lot of movies would end, with a proposal. Tom (Jason Segel), a chef, is driving to a New Year's Eve party with his girlfriend of a year, Violet (Emily Blunt), a psychology postdoc. He's so visibly nervous that she's worried he's unwell, questioning him until he pulls over to the side of the road, slams down a box containing a ring and confesses that he was going to ask her to marry him that night. He still does, and she still insists on going through with his plan of a surprise rooftop romantic dinner at the restaurant in which he works. That's because Tom and Violet are in love, and they're also nice, down-to-earth, well-intentioned people, qualities that suffuse the film as well, generally for the better but sometimes to its detriment.
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Festival Coverage || ||

Tribeca 2012: Community's Alison Brie and Gillian Jacobs on Their TV/Movie Balancing Acts

Tribeca 2012: Community's Alison Brie and Gillian Jacobs on Their TV/Movie Balancing Acts

To 'make it' in Hollywood, young actors used to kick-start their careers in television, sharpening their skills and earning notoriety (and maybe an Emmy or two) before frolicking in the greener grass of feature films. Today, with the growing budgets, themes, and imaginations of series TV, episodes have almost become mini movies, inspiring a newer generation of stars to not only gravitate toward television, but maybe even stay there — even as their careers take off. Alison Brie and Gillian Jacobs epitomize this trend, two actresses who earned their comedy stripes on NBC's Community, a place where dreamatoriums come to life and paintball wars are aplenty. Meanwhile, the pair is also on the Tribeca Film Festival circuit this year — Jacobs with the dark indie comedy Revenge for Jolly! and Brie with tonight's Tribeca opener, the buzzy hit-in-waiting The Five-Year Engagement.
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Sundance || ||

Martin Starr on His Sundance Premiere Save the Date and the Party Down Movie: 'There's Nothing Official'

Martin Starr on His Sundance Premiere Save the Date and the Party Down Movie: 'There's Nothing Official'

When marriage stops being a given, realistic romantic comedies are born. In Save the Date, sisters Beth (Alison Brie) and Sarah (Lizzy Caplan) are on different relationship paths – one toward marriage, another away from it. Michael Mohan’s film reflects the attitudes of a generation who suffered through their parents’ divorces. Playing Andrew, Beth’s fiance, Martin Starr can identify all too well with that premise by looking at his circle of friends: He’s hit that time in life when everyone’s hearing or tuning out wedding bells.
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