Alfred Hitchcock may have been, as the folks behind HBO's upcoming Tippi Hedren telefilm The Girl allege, "a monster," but he was also a cinematic genius, a visionary storyteller, an indelible presence on the pop culture landscape, and, perhaps, a ham. (His words — see below.) So today, on what would've been his 113th birthday, how do you best remember Hitch?
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Also in Wednesday afternoon's round-up of news briefs news Hawk Koch steps down from PGA presidency; A pair of film pick-ups for U.S. release; Two companies team for a "social film project" and William Hurt and Michael McDonald take on new roles.
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Here comes the cinephile debate of the day: After polling 846 film experts, BFI's Sight & Sound declared Alfred Hitchcock's Vertigo to be the #1 greatest film of all time, topping Orson Welles' Citizen Kane, Yasujirō Ozu's Tokyo Story, and classics from Renoir, Murnau, Kubrick, and more of your favorite all-timers. It's a triumph long in coming for the Hitchcock pic, which only first made Sight & Sound's once-a-decade list in 1982 and has been working its way up the ranks of critical opinion since. Does the 2012 poll finally have it right?
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Back in January, actress Kim Novak issued a statement decrying the use of Bernard Hermann's theme from Alfred Hitchcock's Vertigo in eventual Oscar-winner The Artist, igniting a flurry of debate by calling it an act of rape. (“I want to report a rape," she declared. “My body of work has been violated by The Artist.") And whether or not you agreed then that it was an appropriate way to describe an act of artistic citation -- the Academy Award-winning team behind The Artist would call it homage -- Novak is back with another stunner that may reignite the conversation. "I didn't use that word lightly," she said in a report by The AP's Derrik J. Lang today. "I had been raped as a child."
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If Kim Novak sincerely thought that hearing music cues from Vertigo in The Artist was tantamount to artistic "rape," then wait until she gets a look at the expropriation binge underway at Press Play. The site, known for its terrific video essays on all things film, is in the waning hours of a "Vertigoed" contest that has found Bernard Herrmann's celebrated "Scene D'Amour" theme applied to everything from Star Wars to Freddy Got Fingered to -- praise God -- Jackass 2.
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"I’ve done nothing wrong," director Michel Hazanavicius told CNN when asked his reaction to Kim Novak's recent comments lambasting The Artist for using the Vertigo love theme. "I used music from another movie, but it’s not illegal. We paid for that, we asked for that and we had the permission to do it. For me there is no real controversy...I feel sorry for her, but there’s a lot of movies with music from other movies, directors do that all the time and I’m not sure it’s a big deal." [CNN]
This just in: Kim Novak, star of Alfred Hitchcock's Vertigo, has a beef with Oscar front-runner The Artist and its use of Bernard Herrmann's iconic love theme from the 1958 classic. Let's just cut to the chase and let Novak's words speak for themselves: “I want to report a rape... my body of work has been violated by The Artist."
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