Hollywood's biggest (and possibly most anticlimactic) night is upon us, which can only mean one thing: Movieline's third annual Oscar Liveblog Extravaganza! Join your Movieline editors and loyal readers as we parse the Academy Awards to within an inch of their glamorous lives. The fun begins on the red carpet at 7 p.m. ET/4 p.m. PT, with the Oscarcast proper commencing at 8:30 p.m ET/5:30 p.m. PT. And in any case, keep abreast of this year's Oscar class with our commentary after the jump.
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When the Academy announced its nominations last month for Best Animated Feature, two waves of surprise washed over Oscar watchers: Not only was Pixar left out in the cold for the first time in its history, but also two lesser-known films from abroad made the cut in the category: the noir-y French entry A Cat in Paris and the Spanish-language jazz-romance Chico and Rita. The directors of those films, along with Kung Fu Panda 2 helmer Jennifer Yuh Nelson, one of few female directors nominated this year, spoke with Movieline about the recognition from the Academy, technologies such as 3-D and motion capture, and their Oscar night excitement.
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And why? Because they're based on hype. But that's OK, Ben Zauzmer — Harvard freshman, analytical whiz kid and proprietor of the new "matrix algebra"-based awards prognostication site Ben's Oscar Forecast! Movieline's Institute for the Advanced Study of Kudos Forensics has the science down and is soliciting interns for next year's awards-season death march. Inquire within.
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The Academy Awards are not a contest, the humble nominees might demur, taking the high road through the gory scrum that is awards season. But do you really think, say, Glenn Close wouldn’t cut a bitch for an Oscar? Alas, the odds are against her, literally; online books have her at as much as 100:1 odds to win her first statuette for Albert Nobbs. Take a peek at how the internet’s enterprising bookies have handicapped the 84th Academy Award nominees and adjust your bets accordingly.
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Last summer’s Cars 2 marked a notable footnote in the history of Pixar Animation, just not a good one; despite opening to the studio’s sixth-highest worldwide take to date, the sequel to 2006’s Cars earned middling reviews, prompted critics to deem it a commercial cash-grab, and eventually – maybe most shockingly, given the studio's track record – became the first Pixar film not to nab an Oscar nod for Best Animated Feature since the category was inaugurated. Could it be, as Pixar producer Lindsey Collins suggests, that Cars 2 was Oscar-snubbed because of anti-Pixar backlash?
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Give the Academy some credit: They made awards season fun for a little bit longer. At least my mind was blown this morning as AMPAS president Tom Sherak and Jennifer Lawrence announced The Tree of Life, Extremely Loud & Incredibly Close, Demián Bichir and a few other shocks among the 2012 Oscar nominations.
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We're a little more than half a day away from learning who and what will compete for the 84th annual Academy Awards -- an elite class through which Movieline's Institute for the Advanced Study of Kudos Forensics had combed for four months in its fail-safe, fool-proof and bracingly handsome Oscar Index. This calls for one last sweep through each of the Academy's categories (with the exception of live-action, animated and documentary short, about which even our pointiest-headed Oscar wonk cannot speak yet with authority); check our team's work against your own, and drop back by Movieline tomorrow morning at 8:30 a.m. ET/5:30 a.m. PT as we deliver nominations, reactions, analysis and more.
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Awards! So many awards -- this time around it's the Alliance of Women Film Journalists passing along the EDA Awards, their annual choices for the best, worst, weirdest and otherwise noteworthy films of 2011. Find an old standby at the top of the list, along with a few of the Alliance's customarily female-forward and refreshingly cheeky ("Most Egregious Love Interest Age Difference Award," anyone?) accolades. Congrats to all the winners!
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· Dig these Rango clips dubbed over with Rum Diary dialogue. Suddenly, the discordant whizzbang of the latter film seems like a perfect fit when articulated by Rango's CGI cast. Next, let's overdub Don Juan DeMarco with dialogue from Pirates of the Caribbean: At World's End. Faye Dunaway gets the Keith Richards lines, obvs. Click through for that and more of Buzz Break. [YouTube]
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