Smack in the middle of a two-week frame yielding two awards shows and a pair of nomination announcements that will culminate in this year's Oscar nods, the researchers at Movieline's Institute for the Advanced Study of Kudos Forensics have gained minimal insight into where the Academy may take the 2011-12 awards race in next Tuesday's final nominations. Or maybe they're all just sleeping. It's been that kind of year. Let's check their work in this week's Oscar Index.
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Now that Golden Globe winner Octavia Spencer's sitting pretty with her Best Supporting Actress trophy, the L.A. Times breaks out a choice quote from an October visit to the set of her Sundance 2012 pic Smashed: "You do a movie like [The Help] to get a movie like this," she said of her new film, which sees her go from spitting retorts and baking special pies as The Help's Minny to helping Mary Elizabeth Winstead battle alcoholism. "It’s nice... to play roles when I'm not just a sassy black woman." Hear, hear. Now let's get Spencer the Oscar, already. [LAT]
“I’m sorry ya’all, I love you but I have to kick these shoes off. This is the ultimate party and I’m living the dream of so many young actors and actresses out there and I’m having my Diet Pepsi alongside Hollywood’s best and brightest.” Or maybe Octavia Spencer was just being modest? Or introducing the evening's best euphemism for unlimited buckets of HFPA-brand bubbly? As in, "Someone take away Emily Blunt's Diet Pepsi," etc. etc. [LAT]
As yet another incredible season begins to gradually wind down, we're roughly 48 hours away from one of the year's most closely watched, hotly competitive high-stakes all-star showdowns to date. But enough about the New York Giants' journey on Sunday to battle their NFC-rival Green Bay Packers. We've got the 69th annual Golden Globe Awards to predict!
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What a week at Movieline's Institute for the Advanced Study of Kudos Forensics, where the pundits' hustle harmonized with the guilds' bustle to create a heavy-duty wake-up call for some otherwise dormant awards-season underdogs. They also telegraphed danger for a few juggernauts once thought unassailable. What does it all mean as we head into the Critics Choice and Golden Globe Awards weekend? To the Index!
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Awards! So many awards -- this time around it's the Alliance of Women Film Journalists passing along the EDA Awards, their annual choices for the best, worst, weirdest and otherwise noteworthy films of 2011. Find an old standby at the top of the list, along with a few of the Alliance's customarily female-forward and refreshingly cheeky ("Most Egregious Love Interest Age Difference Award," anyone?) accolades. Congrats to all the winners!
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The first Oscar Index entry of 2012 finds Movieline's Institute for the Advanced Study of Kudos Forensics a little hungover from the holidays and lot bored from the protracted inertia of awards season. Not even this week's Producers Guild Award nominations could do much to shake up a contest that appears to be both wide open and solidifying into place at the same time. Let's investigate...
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Well, this should go pretty fast: The holiday week has offered a dearth of new narratives to trace and pulses to take, with only one film demonstrating any significant mobility in the studies coming out Movieline's Institute for the Advanced Study of Kudos Forensics. Let's get to it!
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Screw Christmas. Forget Hanukkah. To hell with New Year's. There is only one holiday we celebrate in the dank, windowless labs of Movieline's Institute for the Advanced Study of Kudos Forensics, and that is Oscar Night. Thus the latest edition of Oscar Index, offering all the festive year-end joy you can possibly stand. Let's get to it!
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It's crazy to think that Viola Davis's Oscar-nominated breakthrough in Doubt came only three short years ago, considering how forcefully the theater and film veteran has emerged as one of the more compelling actresses of her generation. As Aibileen Clark, an unassuming middle-aged maid in 1960s Mississippi in Tate Taylor's ensemble drama The Help, Davis wears the emotional toll of the Jim Crow South in her gait and gaze, an everywoman living through one of the most difficult times in America's past. And yet, thanks to the film's origins and the controversy surrounding her role, Davis nearly balked at taking on the "extraordinary" project.
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