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The Oscars || ||

Oscar Index: Draggin' Tattoo? Don't Bet on It

Oscar Index: Draggin' Tattoo? Don't Bet on It

The first Oscar Index entry of 2012 finds Movieline's Institute for the Advanced Study of Kudos Forensics a little hungover from the holidays and lot bored from the protracted inertia of awards season. Not even this week's Producers Guild Award nominations could do much to shake up a contest that appears to be both wide open and solidifying into place at the same time. Let's investigate...
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The Oscars || ||

Oscar Index: Giddyup, War Horse!

Oscar Index: Giddyup, War Horse!

Well, this should go pretty fast: The holiday week has offered a dearth of new narratives to trace and pulses to take, with only one film demonstrating any significant mobility in the studies coming out Movieline's Institute for the Advanced Study of Kudos Forensics. Let's get to it!

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Awards || ||

Oscar Index: Enough About Bridesmaids, Already

Oscar Index: Enough About Bridesmaids, Already

Screw Christmas. Forget Hanukkah. To hell with New Year's. There is only one holiday we celebrate in the dank, windowless labs of Movieline's Institute for the Advanced Study of Kudos Forensics, and that is Oscar Night. Thus the latest edition of Oscar Index, offering all the festive year-end joy you can possibly stand. Let's get to it!

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Review || ||

REVIEW: Clint Eastwood Tries to Humanize an Ambitious, Dangerous Pipsqueak in J. Edgar

As Lily Tomlin's Ernestine once said, "There's nothing like a Hoover when you're dealing with dirt." Clint Eastwood's J. Edgar could use more dirt: This is a sensitive, sympathetic portrait of a scummy little man, an earnest attempt to map the contours and contradictions of a complicated son-of-a-bitch. But it's all too earnest, to the point of serving, unwittingly or otherwise, as an apologia. Even Eastwood's attempt at a poignant Hoover death scene fails to hit the mark: I for one would want to stick the guy with a pin to make sure he was really dead.

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Festival Coverage || ||

'Beyond Thrilled': My Week With Marilyn Director Simon Curtis On His Auspicious NYFF Debut

'Beyond Thrilled': My Week With Marilyn Director Simon Curtis On His Auspicious NYFF Debut

The world premiere of your first feature film -- in the hypercritical climes of the New York Film Festival, no less -- would be nerve-wracking for any director. But Simon Curtis isn't any director. He's a BAFTA- and Emmy-nominated television and stage veteran who's worked with a who's who of British acting royalty, a noteworthy group of whom appear in Curtis's feature debut My Week With Marilyn.

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Awards || ||

Oscar Index: Extremely Artist and Incredibly Horse

Oscar Index: Extremely Artist and Incredibly Horse

It's week three of the 2011-12 Oscar Index, and the latest measurements, readings and conclusions are in from Movieline's Institute for the Advanced Study of Kudos Forensics. And aside from a few startling exceptions, they don't look that different than the ones disseminated here last week. But make no mistake: Like it or not, stuff is happening! Read on for the latest developments.

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