With The Hobbit -- excuse me, The Hobbit: The Unexpected Journey -- a year and a half away from hitting screens, what's a LOTRer to do with all that free time? If you're a West Coast Middle-earther, circle your calendar for October 2011 when the live Lord of the Rings: The Fellowship of the Ring concert tour hits, performing Howard Shore's award-winning score in tandem with a digital screening of the film.
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Writing from the set of The Hobbit, Peter Jackson took to Facebook Monday to blog his thoughts on filming at 48 frames per second -- the increased frame rate championed by folks like James Cameron, who will use it to blow minds in Avatar 2 and 3. Jackson is currently filming The Hobbit in 3-D at 48 fps instead of the industry standard 24 fps, and as a result, the Lord of the Rings follow-up will be the first wide release to pave the way into a brave new digital world of filmmaking -- whether or not theaters around the world are ready for it.
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The filmmaking process and a particular studio head's cojones were among the topics of discussion Friday night when director Guillermo del Toro (Hellboy, Pan's Labyrinth) held a Q&A with Christopher Nolan (The Dark Knight, Inception) to celebrate the 10th anniversary Blu-ray release of Nolan's breakout film, the neo-noir psychological mystery Memento. But while the sold-out crowd at L.A.'s Egyptian Theatre got to witness the playful Del Toro warming up straight-laced Nolan like a looser, geekier James Lipton, a few topics were strictly off-limits.
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