"Director Sacha Gervasi has tapped Scarlett Johansson and James D'Arcy to play Psycho stars Janet Leigh and Anthony Perkins in Fox Searchlight's Alfred Hitchcock and the Making of Psycho. Anthony Hopkins will play the iconic director, while Helen Mirren will play his wife, Alma. [...] Sources tell Variety that Making of Psycho has drawn comparisons to My Week With Marilyn, and that the role of Janet Leigh could lead to the same awards consideration for Johansson that the Marilyn Monroe role did for Michelle Williams." [Variety]
"Nothing will come from this if you win!” joked Seth Rogen as he opened his hosting gig at the 2012 Film Independent Spirit Awards. “Absolutely nothing. This won't help you get paid anymore -- if anything, it proves you'll work for nothing.” That may be painfully true for many of the indie film nominees honored today at the annual Spirit Awards, held in a tent on the beach in balmy Santa Monica. But what does it mean that the night’s big winner was the Harvey Weinstein-backed awards season juggernaut The Artist?
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With its soapy survey of a Broadway musical about Marilyn Monroe, the new NBC potboiler Smash is clinging to reasonably good ratings since launching last week. And now The Weinstein Company, never one to miss an opportunity, has discreetly hitched its double Oscar nominee My Week With Marilyn to Smash's own (alleged) Marilyn-fueled momentum.
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Over at Awards Daily, Sasha Stone forwards an interesting theory: "There is a school of thought where Oscar is concerned that goes like this: You can win if you can give them rock hard erections." The latest in said awards trend, it would seem, is the February cover spread in GQ in which My Week with Marilyn's Michelle Williams poses in lingerie as the magazine's headline screams "Who Knew Michelle Williams Had This Body?" It's a far cry from Williams' perpetual pixie-mom persona, the one she broke out in her Golden Globe acceptance speech last weekend. But is her skin-baring the key to getting that coveted Oscar nomination/win?
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Not to be terribly negative at the start of the new year – because any year that gifted us the Fassboner had to be a pretty good year, amirite? – but there were a handful of recurring trends in the movies of 2011 that could stand a rest as we charge ahead through 2012. First let’s list the good ones, the motifs in otherwise disparate films, from a wide range of filmmakers indie and studio-backed, new and established, that were actually kind of awesome to marinate in this past year. (Goslingmania comin' atcha!)
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The world premiere of your first feature film -- in the hypercritical climes of the New York Film Festival, no less -- would be nerve-wracking for any director. But Simon Curtis isn't any director. He's a BAFTA- and Emmy-nominated television and stage veteran who's worked with a who's who of British acting royalty, a noteworthy group of whom appear in Curtis's feature debut My Week With Marilyn.
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Another still from Simon Curtis's drama My Week with Marilyn has surfaced, this time showing Michelle Williams swimming as the iconic bombshell. Click through to see the latest, semi-scandalous photo and hang around for more Buzz Break.
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"It's changed how I see the world and how I interact on a daily basis. It's changed the parent I am. It's changed the friend I am. It's changed the kind of work that I really want to do. It's become the lens through which I see life -- that it's all impermanent." On the eve of her turn as Marilyn Monroe in My Week with Marilyn, Michelle Williams opened up to Vogue even more about her career, family, and personal life. Including: "I'm not lonely, and I think that has a lot to do with what's on my bedside table rather than what's in my bed." [Vogue]
