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Interviews || ||

Kylie Minogue Sets Her Sensation Aside For Holy Motors

Kylie Minogue Sets Her Sensation Aside For Holy Motors

Pop superstar Kylie Minogue may be an unlikely figure to appear as a tragic figure in French filmmaker Leos Carax's surreal Holy Motors, but given the numerous twists and turns the Australian-born singer has had, first gaining notoriety in what now seems like a former life as a soap star, the ever adventurous performer is always seeking out the new. So, Holy Motors is a perfect pit-stop. Describing this sensually unnerving and stimulating adventure is simply boarding a fast train to hopelessness, it's a day-long ride through Carax's imagination. But to give some sense of the film, which had its U.S. debut at the recent New York Film Festival and is slowly heading into theatrical release this week, Minogue is one character in a series of "appointments" for Monsieur Oscar. In her moment, she gets to do what legions of her fans love - she sings. But even for a crooning vet like Kylie, even that was a new experience.
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Cannes || ||

Cannes: Kylie Minogue Sets Aside Pop for Offbeat Holy Motors

Cannes: Kylie Minogue Sets Aside Pop for Offbeat Holy Motors

Pop star Kylie Minogue is in Cannes, and she's showcasing a career move: Starring in a film. Not just any film mind you, but Leos Carax's Holy Motors, which attendees here are calling the wackiest selection to hit the festival in years, a pretty amazing feat. With cyber-monsters, talking machines and a story that is a complete trip, Minogue plays two characters in Carax's tale, which centers on Monsieur Oscar — who himself is in fact many characters: a captain of industry, assassin, beggar, monster, family man and a half-dozen more.
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Festival Coverage || ||

Moody Monster Flick? Lesbian Letdown? Puzzling Jack and Diane Debuts at Tribeca

Moody Monster Flick? Lesbian Letdown? Puzzling Jack and Diane Debuts at Tribeca

Oh to be young and in love and periodically a flesh-rending creature of globular, hairy, throbbing pulp. That's the curse heaped upon the eponymous romantics in Jack and Diane, one of the more anticipated — and more disappointing — features in Tribeca 2012's narrative competition.
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