As the big night fast approaches, it’s time for another of Movieline’s virtual awards roundtables. Our Oscar nominees this time are up for Best Costume Design. They are (in alphabetical order):
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And so my most-favorite, least-favorite task of the year rolls around again. I never call it a "10 best" list -- meaning the unequivocal 10 best films of the year -- because I'm fully aware of how subjective it is. Yet as frustrating as it usually is to pull together just the right 10, I found the job surprisingly pleasurable this year. So many movies to love! How could this have happened? Let's not even address the fact that two 3-D movies made it onto my list -- that surprises me as much as anyone. The remarkable thing is that year after year, no matter how much samey-sameness Hollywood (or even so-called indie cinema, for that matter) seems to give us, there are always pictures that resonate, movies that stand apart as if to do so were their God-given right.
Following a stellar year in which she starred in two Oscar-nominated films (Alice in Wonderland, The Kids Are All Right), Australian actress Mia Wasikowska continues to impress in Jane Eyre, a moody and gorgeously haunting adaptation of the Charlotte Brontë classic helmed by director Cary Fukunaga (Sin Nombre). The 21-year-old commands the screen as the titular heroine, an unloved orphan-turned-headstrong young governess who falls for her employer (Michael Fassbender) as sordid secrets threaten to destroy her chance at happiness. Challenging material for most young actresses, but what did you expect from a girl who grew up watching Kieślowski?
When Cary Fukunaga's moody adaptation of Charlotte Brontë's Jane Eyre hits theaters this month, Mia Wasikowska's titular heroine might not be the only one seen onscreen making restrained-but-passionate googly eyes at everybody's favorite man-crush, Michael Fassbender. Even the equine species, it seems, is susceptible to Fassbender's dashing good looks and charm, as one enamored horse very ardently demonstrated on the set of Jane Eyre.
Channing Tatum may be the brawny face of this week's Roman period adventure The Eagle, but British actor Jamie Bell is its scrappy, spirited conscience. As Esca, a Scottish slave guiding Tatum's Roman centurion through hostile territory on a mission of honor, Bell flirts with an ominous ambiguity that easily makes him the most watchable performer on the screen. And when you're sharing said screen with Donald Sutherland, Mark Strong, and Channing Tatum's abs, that's really saying something.
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