Sundance '11 darling Brit Marling is now a year and change removed from the stunning festival debut that made her one to watch thanks to two films she co-wrote, produced, and starred in: The moody sci-fi drama Another Earth, released last summer, and the mesmerizing Sound of My Voice. The latter film finally hits theaters this week, giving audiences a chance to see a different side of Marling: Earthy, enigmatic, dangerously charismatic, and -- as the leader of a cult amassing members in a basement in the Valley -- possibly from the future.
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Festival darling Brit Marling burst onto the scene last summer with the sci-fi indie Another Earth (and will be seen in the upcoming fiscal thriller Arbitrage opposite Richard Gere and Susan Sarandon), but her turn as a mysterious cult leader in this April's Sound of My Voice is the more impressive introduction to the charismatic up and comer. Hit the jump to watch the first 10 minutes of Sound of My Voice, courtesy of Fox Searchlight, and see for yourself.
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Not to be terribly negative at the start of the new year – because any year that gifted us the Fassboner had to be a pretty good year, amirite? – but there were a handful of recurring trends in the movies of 2011 that could stand a rest as we charge ahead through 2012. First let’s list the good ones, the motifs in otherwise disparate films, from a wide range of filmmakers indie and studio-backed, new and established, that were actually kind of awesome to marinate in this past year. (Goslingmania comin' atcha!)
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Earlier this year, Verge designee and writer-producer-actor Brit Marling took the festival circuit by storm with not one, but two knock-out indie films which she starred in and co-wrote: the philosophical sci-fi pic Another Earth, directed by Mike Cahill, and the cult drama Sound of My Voice, directed by Zal Batmanglij. This summer, Fox Searchlight will release the first of the Brit Marling two-fer, Another Earth, starring Marling as a young woman haunted by a chance tragedy in her past who finds hope of a sort when a duplicate Earth appears in the sky. Finally, the world will see what all the fuss was about.
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With Vin Diesel and The Rock currently muscling their way to global domination and Thor set to kick off the summer's action-packed slate with his comic book brawn, there's already a surplus of testosterone at the box office. But looking forward to the next few months, the field's only going to get more crowded with bromantic buddies, pirates, alien robots, superheroes, and cowboys mixing it up at the multiplex. Where have all the ladies gone?
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It's Brit Marling Day at Movieline! Since you'll be seeing a lot more of her in the near future, take a gander at the new trailer for Another Earth, the first of two Marling-starring Sundance flicks coming to theaters courtesy of Fox Searchlight. Alternate planets, tragedy, romance, and Marling's captivating screen presence -- it's all here. As a bonus, it's also got Ethan from Lost! Bet this ends better.
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Three months after its Sundance debut, Zal Batmanglij's stunning drama Sound of My Voice has landed a distribution deal with Fox Searchlight. The studio previously nabbed rights to Sundance '11 pick-ups The Art of Getting By (AKA Homework), Martha Marcy May Marlene, and Another Earth -- the second of two sci-fi-tinged Sundance entries co-written and starring phenom Brit Marling. Read Movieline's Verge interview with the multi-talented Marling and get ready to want to follow her anywhere. [Deadline]
Brit Marling studied economics at Georgetown and might have been an environmental activist or banker in another life if she hadn't answered the siren call of Los Angeles and moved west to risk it all as an actor. And what a payoff: having co-written, produced, and starred in two critically acclaimed films at Sundance (the sci-fi romance Another Earth and the wonderfully hard-to-define cult drama Sound of My Voice), Marling's smack dab in the middle of her well-deserved breakout moment. Movieline caught up with Marling at SXSW to discuss borderline illegal guerrilla filmmaking tricks, taking professional risks, and avoiding the "morally-corrupt swamp" that is Hollywood.
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