What? We ruined a perfect 0% on Rotten Tomatoes for this? "[Katherine] Heigl herself does an okay job in the role. She never quite pulls off the Jersey persona but she comes close enough. With her dyed brown hair and slightly more curvy appearance she certainly looks better than I've ever seen her look. I never thought of her as that attractive before, but she's quite sexy here. She should definitely keep the dark hair. [...] Despite the weakness of the mystery and the failure of the humor to be as funny as it should be, there is just enough of everything plus a dose of likable charm from Heigl to keep the story moving along." Get me my pitchfork and torch, please. [Three Movie Buffs]
So we've already established that The Artist is going to pretty much dominate next month's Academy Awards -- a certainty that we've seen reflected in the behavior of certain awards-season foes who've taken aim at the silent film's ubiquitous wonder dog Uggie. Christopher Plummer led the offensive last week on behalf of his Beginners co-star (and Uggie's fellow Jack Russell terrier) Cosmo, joined over the weekend by an unlikely ally hoping to raise another dog's profile as we sleepwalk toward Oscar.
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Critic faves Beasts of the Southern Wild and The House I Live In took top Grand Jury Prize honors tonight at the Sundance Film Festival, where the John Hawkes Oscar hopeful The Surrogate and Kirby Dick's The Invisible War nabbed this year's audience awards. Also earning Sundance 2012 kudos were the music doc Searching for Sugar Man, Mike Birbiglia's Sleepwalk With Me, and the Aubrey Plaza starrer Safety Not Guaranteed.
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If you were put off by the thought of Demi Moore playing feminist icon Gloria Steinem in the currently-filming porn biopic Lovelace, you have the whip-its to thank for this casting change: Sarah Jessica Parker will now step into Steinem's shoes opposite Amanda Seyfried's titular Linda Lovelace as Moore recovers and, as a press release delicately puts it, "seek[s] treatment for exhaustion." Just a few more day-playing A-listers and Lovelace will officially turn into New Year's Eve. [Deadline]
"I'm trying to work in studio movies, but they won't hire me. I get feedback from my agent saying, 'She's too much of an indie queen.' And then on the other side, my name doesn't get the financing to do a movie over $1 million. And I'm called 'the indie queen.' So it's really a challenging path because I know so much about the indie side of the business. Because I grew up in it. It's like I'm back in junior high here at Sundance. There's John Cooper and Trevor Groth and we all grew up together, you know? But it's different times. And this stuff gets projected onto me. People are like, 'You're here every year, you do so many indie movies.' And I'm like, 'No, I did Broken English five years ago.'" [indieWIRE]
Critics will argue over whether or not Joe Carnahan’s latest, The Grey (currently holding at 76 percent at Rotten Tomatoes), succeeds as the latest nature-as-killer yarn to hit the action genre, but it’s worth taking a closer look at what Joe Carnahan is attempting beyond the survivalist thrills and chills. In the age of the metrosexual, and in an industry inundated with juvenile comedies and mind-numbing blockbusters, what does this Liam Neeson vs. the wolves pics have to say about modern masculinity?
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What, ya didn't know rapper/personality Ed Lover was a closet cinephile-slash-Oscar pundit? To borrow from the man himself: "C'mon, son!" In a searing video rant over at NextMovie, he reacts to this year's batch of Oscar nominees and glaring snubs (what, no Drive, Harry Potter, or "Dame Julie Dench?") and pretty much takes the words out of my mouth. "They had the Academy Award nominations the other day at like 7 o'clock in the damn morning... C'mon, son!"
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"Only on afternoons when the cinema offers retirees half-price tickets has there been much of a crowd for The Iron Lady, the controversial film about Mrs. Thatcher, who is now 86. [...] A therapist, Lauren Hall, 24, had her own perspective. 'People who come to Grantham are more interested in Isaac Newton,' who attended school in the town from 1655 to 1661 and has a statue in the town’s main square, she said. In case the visitor had not grasped Newton’s place in history, she offered a prompt. 'Did you know he invented the cat flap?' she said." Huh. This can only benefit Viola Davis, right? [NYT]
Joe Carnahan’s thriller The Grey, currently receiving kudos for its blend of red-blooded action and considered existentialism, tells the fictional tale of a group of oilrig workers who survive a plane crash only to be hunted by wolves in the wild. Among the ragtag band of comrades facing off against nature under Liam Neeson’s steady leadership is Dermot Mulroney’s Talget, who, like the others, learns to shed his protective layers and confront his own fears when forced to face off directly with Mother Nature.
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It may be a relatively quiet Sundance year – even Pixar’s Lee Unkrich, in town for the festival, Tweeted his dismay at the “mixed bag” of movies – but films are selling. Granted, they’re mostly the ones with name actors and mostly okay-to-decent reviews (with a few exceptions), but buyers continue to be getting busy in the snow. The latest batch of pick-ups (Olsens and robots and scares, oh my!) after the jump.
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It says something about how far Ice-T has come since his gangsta rap days that his directorial debut, the hip-hop documentary Something from Nothing: The Art of Rap, premiered at Sundance to a house packed with hip-hop heads and white older moviegoers who likely know Ice better from Law & Order: SVU than “New Jack Hustler.” And it says something about the film itself, which explores the historical landscape of hip-hop in intimate detail with over 40 of Ice-T’s fellow rappers, that even the L&O-watching grandmas in the audience were bopping their heads the whole way through.
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Days after the polarizing Red Hook Summer hit Sundance, co-writer/co-producer James McBride unleashed a passionate missive comparing the black artists' experience to cultural servitude: "You get to drive the well-meaning boss to and fro, you love that boss, your lives are stitched together, but only when the boss decides your story intersects with his or her life is your story valid. Because you’re a kind of cultural maid. You serve up the music, the life, the pain, the spirituality. You clean house. Take the kids to school. You serve the eggs and pour the coffee. And for your efforts the white folks thank you. They pay you a little. They ask about your kids. Then they jump into the swimming pool and you go home to your life on the outside, whatever it is. And if lucky you get to be the wise old black sage that drops pearls of wisdom, the wise old poet or bluesman who says ‘I been buked and scorned,’ and you heal the white folks, when in fact you can’t heal anybody." [40Acres.com]
Our Sundance bidding-war preview may have foreseen only part of the fervor around the John Hawkes/Helen Hunt drama The Surrogate, but how's this for compensation: As predicted, the Richard Gere/Susan Sarandon Wall Street thriller Arbitrage went to Roadside Attractions (with its partners at Lionsgate) for just over $2 million. Bam! That's not it for deals, either: Get the updated roster of Sundance pics -– and see which offerings earned raves, and which didn’t -- after the jump.
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Remember Patton Oswalt's Oscar-snubbee Twitter fan fiction -- specifically the part wherein Tilda Swinton and Andy Serkis rocked out together to "Life on Mars"? Well, Jimmy Fallon or Stephen Colbert or someone might want to get on that, if Swinton's priceless reaction is any indication.
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As Sundance 2012 passed the halfway point, the celebs and hangers-on and people watchers started filtering out of Park City, leaving the sidewalks actually walkable and the shuttles downright spacious. I prepare to go home tomorrow, with many more interviews and reports to come, but the glorious peacefulness has me misty-eyed about the week that was; here's a quick rundown of highlights from the first week of the fest -- the movies I loved, the events that transpired, and yes, the time I met with Ice-T and Coco to talk hip-hop while they munched on pancakes.
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