Heads up, romantic drama die-hards: Movie theaters will be awash with tears in the next couple of weeks. Three epic — well, two epics and one epic-lite — love stories are being re-released for various questionable reasons, and in these challenging economic times it might not make sense to rush out and see all three. Here, then, are some points to consider before buying a ticket and travel-size tissues for Casablanca, The Bodyguard or Titanic.
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Despite having acted in only a handful of movies before her death on Saturday at the age of 48, Whitney Houston left a lasting legacy with the few film projects she did release during her reign as arguably the best-known female pop singer of her generation. 1995's Waiting to Exhale earned her a NAACP Image Award nomination, and 1996's The Preacher's Wife won her the award (and made her the highest-earning African American actress in Hollywood at the time); this year's Sparkle was set to be Houston's comeback after a well-documented and public period of substance abuse and personal decline. But no film is as indelibly linked to Houston's legacy as her debut in 1992's The Bodyguard, and the record-breaking soundtrack it spawned.
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