Quentin Tarantino probably had a vastly different idea of how the months leading up to the 85th Academy Awards would transpire for him. As he began to promote Django Unchained, he no doubt expected to spend the majority of Awards Season talking about America's legacy of slavery, about his decision to portray it as unambiguously horrific, and how the peculiar institution has historically been treated in film.
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Quentin Tarantino says slavery continues in the United States. The outspoken filmmaker — whose spaghetti southern Django Unchained unflinchingly depicts the brutality of slavery — stoked the debate on race Tuesday night when he appeared on the Canadian television talk show George Stroumboulopoulos Tonight to suggest that the United States' "war on drugs" and its "mass incarcerations" of black men is "just slavery through and through." more »
When Quentin Tarantino's Django Unchained hits theaters in December, it'll bring audiences face to face with a flurry of new grindhouse/genre references and influences, as any Tarantino flick is wont to do. Among those citations is the Italian exploitation pic Goodbye Uncle Tom (AKA Addio Zio Tom/Farewell Uncle Tom), the notorious 1971 pseudo-doc about a film crew documenting the horrors of slavery in the American south, which Django Unchained cast member Samuel L. Jackson discussed recently during an interview for his superhero flick The Avengers (a movie that does not, by the way, pay homage to questionably exploitative slavery explorations.)
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