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Weekend Receipts || ||

Weekend Receipts: Why You Shouldn't Cry For John Carter Just Yet

Weekend Receipts: Why You Shouldn't Cry For John Carter Just Yet

Everything went pretty much according to plan at the box office over the weekend: Scurrilous liberal plot The Lorax indoctrinated enough kids and families to reign over a second consecutive week, while Disney's super-expensive sci-fi gamble John Carter settled somewhat anemically into second place. But it's not all bad for our boy on Barsoom. Your Weekend Receipts are here.
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Review || ||

REVIEW: There's Some Spooky Stuff in Silent House, But It's Mostly Just Arthouse Wigwaggery

REVIEW: There's Some Spooky Stuff in Silent House, But It's Mostly Just Arthouse Wigwaggery

Silent House is not just a horror film but a Very Important Piece of Social Commentary, as you’ll see when you get to the movie’s third-act twist. In other words, it’s not asking you to watch a terrified woman’s face for some 90 minutes -- in sort-of real time, no less -- without an allegedly good reason. This is good-for-you, arthouse-style horror. Which doesn’t mean it’s necessarily any good.
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The 2-Minute Verdict || ||

Watch Elizabeth Olsen in the Real-Time, One-Take Creeper Silent House

Watch Elizabeth Olsen in the Real-Time, One-Take Creeper Silent House

Last year, Sundance It Girl Elizabeth Olsen had two notable films debut in Park City. One was Sean Durkin's Martha Marcy May Marlene, which earned Olsen raves and new fans for her central turn as a paranoid cult survivor. Now comes Olsen's second Sundance '11 pic, Silent House, in which poor Olsen finds herself spooked by bumps in the night and possibly more insidious forces while stuck in a darkened abandoned house. Was it really shot in a single continuous take, as co-directors Chris Kentis and Laura Lau claim? Is there any young actress quite as watchable in moments of terror as the younger Olsen? Watch the trailer and let us ponder these questions together.
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Buzz Break || ||

Lynne Ramsay Sets Her Sights on Moby Dick... in Outer Space

After writer-director Lynne Ramsay (Ratcatcher, Morvern Callar) debuts her latest film, this December's moody Tilda Swinton-Ezra Miller pic We Need to Talk About Kevin, she'll set her sights on more classic fare: Herman Melville's Moby Dick... only, set in space. "We're taking the premise into the realm of the galaxy; it's creating a whole new world, and a new alien, a very psychological piece" Ramsay told Radio 5 Live's Mark Kermode and Simon Mayo. "Mainly taking place in the ship, a bit like Das Boot, so it's quite claustrophobic. It's another monster movie, in a way, 'cause the monster's Ahab." Stick around for more happenings in today's Buzz Break.

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