After watching this trailer, I think Parker Posey should consider launching some sort of bad-girl management inspiration seminar. Clearly, she's breaking a lot of corporate cardinal rules in this trailer to Michael Walker's Price Check — you know, like the one where you're not supposed to sleep with your employees — but just watch how Eric Mabius, the sad-sack manager in her grocery store pricing and marketing department perks up over the course of this clip as he gets the focus of her manic attention. (The trailer plays after the jump.) more »
Any Day Now won the Audience Award for Best Narrative Feature over the weekend, while Kirby Dick's
The Invisible War won for Best Documentary at the Provincetown International Film Festival over the weekend. Starring Alan Cumming and directed by Travis Fine,
Day revolves around a handicapped teen who is taken in by a gay couple.
Invisible War, meanwhile, is a heart-wrenching look at rampant sexual assault in the U.S. military and the institution's blatant disregard in addressing the little-known crisis. Festival attendees speculated that the feature will receive an Oscar nomination come awards season.
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The Provincetown International Film Festival feted Roger Corman over the weekend with John Waters taking to the stage in a laugh-filled interview before a packed house in the eccentric enclave's town hall. The maverick producer/director/actor offered up highlights from his long career and offered up a litany of tales from his years the low budget B-movie throne. While distributors consistently have spats with the MPAA for getting a "harsh" rating, Roger Corman recalled a time when he went back to the MPAA to ask for a "harsher" rating. "Eight year-olds" don't want to see a G-rated film," John Waters observes…
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Dazed and Confused often gets lumped in with pot comedies and is celebrated on 4/20, but Richard Linklater’s first studio film transcends mere pot comedy and is still one of the most realistic teen movies ever made. It arrived at a time (1993) when teen movies were out of vogue, and it dared to take a trip down memory lane to a time remembered more with cringes than smiles. It’s arguably the most anti-nostalgia period movie ever, as acknowledged by Linklater himself. Digging in to the Criterion Collection extras (a Blu-ray Criterion release came out in October), here are some bits of evidence of that, tied to some of the movie’s most memorable lines.
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"I'm trying to work in studio movies, but they won't hire me. I get feedback from my agent saying, 'She's too much of an indie queen.' And then on the other side, my name doesn't get the financing to do a movie over $1 million. And I'm called 'the indie queen.' So it's really a challenging path because I know so much about the indie side of the business. Because I grew up in it. It's like I'm back in junior high here at Sundance. There's John Cooper and Trevor Groth and we all grew up together, you know? But it's different times. And this stuff gets projected onto me. People are like, 'You're here every year, you do so many indie movies.' And I'm like, 'No, I did Broken English five years ago.'" [indieWIRE]