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Review || ||

REVIEW: Abraham Lincoln: Vampire Hunter Tells the Real Story Behind the Civil War — Not!

REVIEW: Abraham Lincoln: Vampire Hunter Tells the Real Story Behind the Civil War — Not!

It’s not every day you see a movie and ask yourself, “Why does this thing even exist?” But I’m truly puzzled by the existence of Abraham Lincoln: Vampire Hunter. I get that it’s based on a novel by Seth Grahame-Smith, part of a pop literary genre — launched by Grahame-Smith himself — that takes famous figures, fictional or otherwise, and pits them against vampires and zombies. I get that it’s directed by Timur Bekmambetov, the zany Russian-Kazakh mastermind behind cult apocalyptic favorites Night Watch and Day Watch (2004 and 2006, respectively), not to mention the stupidly entertaining 2008 action thriller Wanted. I even grant you that it’s probably OK to make up wholly imaginary motives for why Abraham Lincoln might have wanted to end slavery, motives having to do not with the preservation of human dignity, equality between all people and all that rot, but because it was kind of a handy sideline to the task of ridding the world of vampires. I know and accept all of this. And still I ask — Why?
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Videos || ||

Exclusive: Dominic Cooper Explains How He Pulled Double Duty in The Devil's Double

Exclusive: Dominic Cooper Explains How He Pulled Double Duty in The Devil's Double

Need a break from fluffy features depicting vampire weddings, cross-dressing Adam Sandler and dancing penguins? Look no further than The Devil's Double, Lee Tamahori's biographical drama about sadistic psychopath Uday Hussein (son of Saddam) and his body double, both played by Dominic Cooper. Ahead, the film's star discusses the difficulty of playing two characters in one fast-paced production.

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Festivals || ||

The Devil's Double: The Outrageous, Over the Top Iraqi Scarface You've Been Waiting For

Tired of those run-of-the-mill biopics and staid Iraq war dramas that avoid sensationalism out of respect for their subjects? Want a peek into the orgiastic, debauched, ultra-violent underbelly of Saddam Hussein's Iraq? Director Lee Tamahori brought all that and more to an unsuspecting audience -- and conjured his own comparisons to David Fincher's The Social Network, naturally -- with The Devil's Double, the guiltiest thrill of Sundance 2011.

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