I wouldn't brag were it not Monday morning and it's the only thing keeping me from walking in front of a bus, so: The final piece of Movieline's Sundance 2012 Bidding-War puzzle has fallen into place, with director James Ponsoldt's boozehound relationship drama Smashed going to the estimable Sony Pictures Classics. Five-for-five! High five?
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Park City did indeed turn out to be a robust marketplace this year, with buyers snapping up over two dozen features and docs out of Sundance 2012. Ranging from genre pleasers to indie charmers to potential future Oscar picks and beyond – and veering from critical fest duds to overwhelming crowd favorites – the class of Sundance ’12 is an intriguingly mixed-but-mostly-promising bag of films that will be dotting the cinematic landscape in the year or so to come. Here’s an updated comprehensive look at what sold and which films you should be looking forward to.
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A quick update on the flurry of Sundance deal-making of recent days, with well-received documentaries and less acclaimed but star-driven (read: marketable) narratives sitting pretty with distribution agreements. Will this be, as pundits predicted, a high-volume buying year in Park City?
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Writer-director Shane Black is reportedly in negotiations to direct Iron Man 3, taking over from series helmer Jon Favreau for the threequel, which is already slated for release on May 3, 2013. But hey, no pressure! Two years should be plenty of time for the guy who wrote Lethal Weapon in six weeks. Besides, Black's got plenty of qualifications that should inspire fanboy confidence. Such as:
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