Also in Tuesday afternoon's round-up of news briefs, The Collection is set to open an L.A. horror fest. And a slew of films find U.S. homes and are headed to theater.
more »
"Sometimes, there's a man, well, he's the man for his time and place," the molasses-and-whiskey voice of Sam Elliott says of The Dude in the Coen Brothers' 1998 cult classic, The Big Lebowski. And thanks to filmmaker Jeff Feuerzeig, the time and place for the actual Dude who inspired the Dude will span a good 40 years at least. more »
To close out his popular live-reading program at LACMA Thursday night Jason Reitman selected a film that seemed to tie the series and the room together: The Coen brothers’ 1998 noir-comedy opus The Big Lebowski. In the hot seat filling Jeff Bridges’ slippers as The Dude sat Seth Rogen, whose own slacker charm proved oddly suitable, with folks like Hank Azaria (as Donny), Rainn Wilson (as Walter) and Christina Hendricks (as Maude) alongside him re-enacting one of the most quotable films of the past two decades. The cherry on top? Playing the role of The Stranger originated by Sam Elliott and written explicitly for an actor like Sam Elliott, perhaps… was none other than Sam Elliott.
more »
To close out his popular live-reading program at LACMA Thursday night Jason Reitman selected a film that seemed to tie the series and the room together: The Coen brothers’ 1998 noir-comedy opus The Big Lebowski. In the hot seat filling Jeff Bridges’ slippers as The Dude sat Seth Rogen, whose own slacker charm proved oddly suitable, with folks like Hank Azaria (as Donny), Rainn Wilson (as Walter) and Christina Hendricks (as Maude) alongside him re-enacting one of the most quotable films of the past two decades. The cherry on top? Playing the role of The Stranger originated by Sam Elliott and written explicitly for an actor like Sam Elliott, perhaps… was none other than Sam Elliott.
more »
The startling beauty of Joel and Ethan Coen's Oscar-nominated True Grit -- and in most Coen brothers films, for that matter -- owes to frequent collaborator and award-winning cinematographer Roger Deakins, who's lensed all but one of their films since 1991's Barton Fink. But as much as the nostalgic Western serves as a throwback to simpler times, simpler heroes (and heroines), and a yearning to stick to one's principles in the face of obsolescence, True Grit could also mark a wistful point in Deakins career -- his last film shot on film.
FILM NEWS 