You are viewing the archive: chronicle
Awards || ||

They Turn Us On, Dammit! Movieline Critic Alison Willmore's Top 10 Overlooked Gems of 2012

Sparkle (Jordin Sparks) and Emma (Whitney Houston) in TriStar Pictures' SPARKLE.

This December is heavy with major movies — Zero Dark ThirtyThis is 40The Hobbit: An Unexpected JourneyDjango Unchained and Les Misérables — that are literally (use the bathroom first) and metaphorically big. As they dominate the year-end conversation, it seems like a good moment to to call out some films that may not earn many mentions at award shows and top ten lists, but nevertheless charmed, entertained or impressed me throughout the year. more »

Weekend Receipts || ||

Weekend Receipts: Wow, Pretty Much Everyone Went to the Movies

Weekend Receipts: Wow, Pretty Much Everyone Went to the Movies

Congratulations to Hollywood for taking back the weekend from pop stars extant, dead or otherwise and shattering the record for Valentine's Day weekend movie attendance. What a great time to be alive! Ahem. Your Weekend Receipts are here.
more »

Weekend Receipts || ||

Weekend Receipts: Chronicle, Woman in Black Make For Potent 1-2 Punch

Weekend Receipts: Chronicle, Woman in Black Make For Potent 1-2 Punch

Two supernatural thrillers joined a pair of spooky holdovers in the top five of this weekend's box office, where one of the world's biggest stars was no match for the low-budget telepathic shenanigans of Team Chronicle. And, er, what happened to Drew Barrymore? Your Weekend Receipts are here.
more »

Review || ||

REVIEW: Found-Footage Sci-Fi Tale Chronicle Is Uneven But Earnest, and Often Exhilarating

REVIEW: Found-Footage Sci-Fi Tale Chronicle Is Uneven But Earnest, and Often Exhilarating

The allegory-rich Chronicle opens with a kind of generational statement: “I bought a camera,” senior class punching bag Andrew (Dane DeHaan) says, “and I’m filming everything from here on out.” Andrew is talking to his father (Michael Kelly), a drunkard ex-fireman who punishes his son for the stress of caring for his dying wife, though the announcement is meant for us as well. Chronicle fits into the growing genre of “found footage” films, though that becomes just one formal element of many director Josh Trank meshes together to put a new spin on the subject of teenage alienation and its more extreme social side effects.
more »