They're the one percent even in immortality. Elizabeth Taylor reigns as the biggest earner in Forbes Magazine's list of Top-Earning Celebrities, even out-ranking her BFF in life, Michael Jackson. But she may not stay atop the deceased heap for long since most of that bundle came from a record-breaking Christie's auction that cha-chinged $184 million, mostly from the star's fabled jewelry collection.
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The best documentaries tell you more than you think you’d ever want to know about a subject, perhaps fulfilling a curiosity you didn’t know you had. That’s the case with Kevin Macdonald’s Bob Marley documentary Marley, which stretches out at a languorous two hours and 24 minutes without dragging or getting bogged down in extraneous details. Everything in it – from interviews with the singer’s bandmates and his widow, Rita, to vintage and contemporary images of his hardscrabble birthplace of St. Ann Parish, Jamaica, to live-performance footage that captures his extraordinary charisma – feels essential, albeit in a relaxed way. By the end you feel you’ve learned something about the man, yet his mystique emerges intact.
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Each year SXSW plays host to a slate of risk-taking fare of all kinds, from true indie offerings to upcoming studio releases geared to a slightly more open crowd, and the 2012 film line-up features no shortage of movies poised to earn that precious film festival commodity: Positive buzz. But some projects have more at stake than others -- say, Joss Whedon and Drew Goddard's long-awaited Cabin in the Woods, Will Ferrell's Spanish-language comedy Casa de mi Padre, or the directorial debut of actor Matthew Lillard. On the eve of SXSW 2012 (which runs March 9-17 in Austin, Texas), check out the ten SXSW titles with the most to prove going into their festival debuts.
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