This fall you'll see Joseph Gordon-Levitt as you've never seen him before: As Bruce Willis. In the sci-fi time-travel action pic Looper, from Brick director Rian Johnson, Gordon-Levitt plays Joe, an assassin who ties up loose ends for the mob by killing targets as they're sent back in time from the future -- until one day his own future self (played by Willis) comes through for extermination. Previewing a teaser for the September release at WonderCon, Johnson and Gordon-Levitt discussed the trickiness of transforming Gordon-Levitt into a young Willis, pulled off with the aid of prosthetics, and why it's particularly difficult to talk about their time travel thriller.
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Much of director Olivier Megaton's female assassin pic Colombiana coasts on a certain popcorn movie badass factor -- lithe star Zoe Saldana as stone-cold killer hell-bent on vengeance for the murder of her family, slinking through missions in skintight catsuits (or less) and gracefully blasting away bad guys with beautifully cold precision in the grand tradition of producer Luc Besson's most famous female killers. But Saldana feels a more weighty responsibility when it comes to her action heroine debut and how its success might affect opportunities for women in film to follow.
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In this week's Hanna, 16-year-old knife enthusiast Saoirse Ronan joins the illustrious ranks of the lethal young women who've taken up arms (or fangs, or machine gun-arms) in the movies in the name of raining down righteous fury upon their enemies. Whether raised as assassins or transformed by tragic circumstance, these ten adolescent girls and teens don't take crap from anyone -- and they have the combined body count to prove it. If you run into any of these fierce misses in a darkened alley, let's hope they're on your side.
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BAFTA-winning director Joe Wright could have stuck to his bread-and-butter area of expertise, the lush period drama, a domain in which his films have notched multiple Academy Awards just six years into a feature filmmaking career. But after making Pride & Prejudice, Atonement, and the subsequent misfire The Soloist, Wright flipped the script and re-teamed with the teenage actress he'd previously directed to an Oscar nomination -- 16-year-old Saoirse Ronan -- on Hanna, a dizzyingly kinetic action film about a girl assassin on a mission of self-discovery.
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