Museum's Capuchin Monkey Slings Feces at Salvation
Here's hoping you had a pleasant Memorial Day weekend, free from third-degree BBQ burns and residual beer bloat. After the jump are the final, five-day box office tallies.
Here's hoping you had a pleasant Memorial Day weekend, free from third-degree BBQ burns and residual beer bloat. After the jump are the final, five-day box office tallies.
In the box office battle of the behemoths yesterday, Ben Stiller gave Christian Bale plenty of new material to glower about. Night at the Museum: Battle of the Smithsonian outdrew Terminator Salvation, though neither debut was exceptional enough to really pop through in a year of mega Fridays. It remains to be seen how Terminator will weather its bad buzz, though the disappointing X-Men Origins: Wolverine may serve as some indication: despite opening far bigger than Star Trek, it's now on track to take in much less than the J.J. Abrams revival.
NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN: $15,300,000 (new)
TERMINATOR SALVATION: $14,845,000 ($28,217,000)
ANGELS & DEMONS: $6,050,000 ($66,161,000)
STAR TREK: $5,775,000 ($167,409,000)
DANCE FLICK: $3,900,000 (new)
X-MEN ORIGINS: WOLVERINE: $2,100,000 ($157,354,000)
GHOSTS OF GIRLFRIENDS PAST: $1,100,000 ($43,238,000)
OBSESSED: $575,000 ($64,483,000)
MONSTERS VS. ALIENS: $280,000 ($191,926,000)
17 AGAIN: $270,000 ($59,579,000)
Figures courtesy of Box Office Mojo
It was closer than expected in the end, but America's favorite Pope-rescuing Harvard symbologist still outmuscled the Enterprise crew as the weekend's top box-office draw. And with Angels & Demons' supremacy facing a lethal threat from the homicidal machines and anthropomorphic museum pieces bearing down on Memorial Day, let's savor its short-lived triumph while we can. More after the jump.
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Greetings from the bridge of the Starship Movieline, where your Captain (in the "lhIngan jIH boq QIp" T-shirt, or Klingon for "I'm with stupid"), along with trusty communications officer Stuhura VanAirsdale and engineer Kyle "Bucky" Buchanan are embarking on a mission to boldly tell you how much dinero Paramount beamed out of Earthlings' pockets over the weekend. Set your mouse buttons to stun.
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At long last, we can put all that mildly nauseating talk about the corrosive effects of Wolverine leaks behind us: The hairy Canadian freak with the built-in rotisserie forearms has proven triumphant at the box office. The results are after the jump.
Not content merely to wrestle with Ali Larter, a vengeful Beyoncé used this weekend's box office numbers to take on Channing Tatum, Robert Downey Jr., and an entire family of humpback whales. Unsurprisingly, she left all comers in her dust like they were nothing more than Michelle Williams in a pair of malfunctioning high heels. Welcome, then, to the Movieline Weekend Receipts.
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Movieline is pleased to once again present Weekend Receipts, soon to be retitled Zac Efron EmpireWatch. While we work to clear that with the young megastar's agent, please read on for a closer look at his latest triumph as well as the also-rans -- including a surprisingly out-of-shape Jason Statham -- left wheezing in the distance.
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That mints it: Zac Efron is a star. Sans songs, he still managed to open 17 Again to a higher Friday figure than Julia Roberts could manage for Duplicity -- or, for that matter, Russell Crowe and Ben Affleck could for the brand-new State of Play. Meanwhile, Crank: High Voltage didn't outdo its predecessor, despite generally better reviews and a franchise cult following.
1. 17 AGAIN: $9,465,000 (new)
2. STATE OF PLAY: $4,570,000 (new)
3. HANNAH MONTANA: THE MOVIE: $4,020,000 ($47,488,000)
4. FAST AND FURIOUS: $3,840,000 ($128,271,000)
5. MONSTERS VS. ALIENS: $3,575,000 ($153,398,000)
6. CRANK: HIGH VOLTAGE: $2,650,000 (new)
7. OBSERVE AND REPORT: $1,425,000 ($16,062,000)
8. THE HAUNTING IN CONNECTICUT: $1,115,000 ($49,883,000)
9. KNOWING: $1,105,000 ($71,326,000)
10: I LOVE YOU, MAN: $1,070,000 ($1,070,000)
Figures courtesy of Box Office Mojo
Welcome to Weekend Receipts. It's Movieline's Monday morning headquarters for box office news and analysis, as only our unparalleled industry expertise -- augmented by 20/20 hindsight and an I.V. hookup to a decade-old Mr. Coffee machine -- can bring you. As always, a light continental breakfast will be served.
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