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Awards || ||

Oscar Doc Preview: Ken Burns's Central Park 5 Vs. Peter Jackson's West Memphis 3?

Oscar Doc Preview: Ken Burns's Central Park 5 Vs. Peter Jackson's West Memphis 3?

Are the Central Park Five the next West Memphis Three? The teenagers wrongfully convicted in the vicious 1989 rape and beating of jogger Tricia Meili — and only released after the actual attacker came forward in 2002 — will be showcased in a forthcoming Ken Burns documentary entitled, appropriately enough, The Central Park Five. And while the film was funded in part by Burns's longtime patrons at PBS, the two-time Oscar nominee and four-time Emmy winner (who co-directed the project with his daughter Sarah Burns and son-in-law David McMahon) is taking the film to Cannes next month with the hope of finding a theatrical distributor: "We want to do it [theatrically] because the running time makes it manageable, and there's something urgent about it," he told TV Guide this week. This sounds... familiar?
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Burning Questions || ||

How the Hell Did Paradise Lost 3 Lose the Best Documentary Oscar?

How the Hell Did Paradise Lost 3 Lose the Best Documentary Oscar?

Congratulations to Dan Lindsay and TJ Martin, whose film Undefeated lived up to its title at last night's Academy Awards by taking home the Best Documentary Feature Oscar. Exploring the intersection of class, race and a hard-luck high-school football team, the doc started earning fans a year ago at Sundance South by Southwest — including Harvey Weinstein, who acquired Undefeated on the spot and promptly fast-tracked it for 2012 awards glory. Mission accomplished. The only thing Undefeated didn't do? How about help get three unjustly convicted men — one condemned to die — out of prison?
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Festival Coverage || ||

Dear Sundance Diary: Times Are Grim, But the Hype is Here

Dear Sundance Diary: Times Are Grim, But the Hype is Here

Park City was eerily peaceful early this morning with nobody around and last night’s dusting of snow on the ground. Soon enough – by this afternoon, or this evening, or certainly tonight – that will all change as filmmakers, press and industry folks roll in and the dreaded promoters (“leveragers,” Sundance founder Robert Redford called them in his inaugural address today) pimp out this snowy mountain town like a toddler in a tiara. Appropriately, Redford pointed to the current hardships for filmmakers, and the world at large. “Times are hard and grim,” he acknowledged, later offering optimism. “Independent film is healthy. That doesn’t mean it’s easy.”
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