Maybe the apocalypse is nigh: News Corporation kingpin Rupert Murdoch rang in 2012 on Twitter, dashing off his appreciation for in-house treats ("Great oped inWSJ [sic] today on Ron Paul. Huge appeal of libertarian message"), urban atmospherics ("NY cold and empty, even central park. Nice!") and, naturally, the movies of Fox and its subsidiaries. Good news: The Descendants scored some much-needed awards love! Bad news: Said love came from a man who extolled equivalent appreciation for We Bought a Zoo.
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It was a buoyant holiday frame for the last releases of 2011, with audiences turning out in droves (and likely family-loaded minivans) to boost just about every film in theaters. Biggest congrats are in order for Mission: Impossible - Ghost Protocol, which is indeed set to make in 17 days what Mission: Impossible III made in its entire theatrical run. And, look! A bunch more people caught the timely holiday spirit and bought a Zoo this week, along with a War Horse and, uh, Garry Marshall's New Year's Eve. Enjoy it while it lasts, Garry. Auld lang syne, 2011. Your holiday weekend receipts after the jump!
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'Twas the weekend of Christmas, and all through the house, many studio executives had good reason to grouse... Ugh, sorry about that -- it's the egg nog. In fairness, the holiday frame actually signaled a nice rebound from previous weekends (which, when considering the utter horror show this month's been, isn't saying so much, but still). Who got what they wanted for Christmas, and who did Santa all but skip? Your Weekend Receipts are here.
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A slumpy month at the box office showed little sign of abating on Friday, when the holdovers Mission: Impossible - Ghost Protocol, Sherlock Holmes: A Game of Shadows and Alvin and the Chipmunks: Chipwrecked fought off a trio of high-octane newcomers -- including the abysmally performing We Bought a Zoo -- to lead the early holiday-weekend competition. Your Friday Box Office is here.
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In this weekend’s wildly reckless financial risk fantasy We Bought a Zoo, moneyed-but-totes-normal Benjamin Mee (Matt Damon), a recently widowed father of two, experiences a fit of Jerry Maguire insanity and moves his family into a zoo. Director Cameron Crowe and co-written by Aline Brosh McKenna (27 Dresses) would have you think this is a good idea, since (spoiler!) Mee’s selfish, shortsighted, and borderline negligent decisions result in an uplifting, golden-hued ending, not to mention the love of a certain crunchy-but-smokin’ hot lady zookeeper. But Movieline knows better. Study the litany of ill-advised risks and bad judgment calls Benjamin Mee makes for himself and his two young children. In these trying times, let his story not be a lesson.
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Few filmmakers use music as unabashedly and emotionally as former rock journalist Cameron Crowe, the man who turned Peter Gabriel's "In Your Eyes" into an enduring emblem of '80s teen longing and illuminated the power of Elton John's "Tiny Dancer" as a late night bonding tune for even the most estranged of friends. Crowe's latest, We Bought a Zoo, is no different; the instant the reverberating beats of Tom Petty's "Don't Come Around Here No More" kick in, lonely and sparse, turning increasingly anthemic by the verse as Matt Damon's son is expelled from school and Damon uproots his family to a rural fixer-upper of a zoo with the promise of new beginnings, you know you're in for yet another Crowe Moment.
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Who can think about naked Scarlett Johansson photos today when the new trailer for Cameron Crowe's We Bought a Zoo has just debuted, amirite?? Take a look at Crowe's first feature since Elizabethtown, about a single father (Matt Damon) who moves his family into a zoo to turn things around by helping animals and stuff. Also, to fall for impassioned zookeeper Scarlett Johansson. Quite a coincidence of timing, no?
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