Woe is the poor, lonely Henry Cavill actioner Cold Light of Day, which opened in wide release and climbed its way to the bottom (well okay, #13) with a paltry $1.8 million take. As in, TOTAL. Not screening a film and giving it virtually no promotion will do that, even with the future Superman holding a gun and Bruce Willis and Sigourney Weaver posing like the T-800 on the poster. But it was also a terrible movie-going weekend all-around, with the bleakest numbers in recent memory spreading across all comers. Hit it for the Debbie Downer of Weekend Receipts and let's all look to Finding Nemo and Milla Jovovich's leather pants next week for salvation.
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Park City did indeed turn out to be a robust marketplace this year, with buyers snapping up over two dozen features and docs out of Sundance 2012. Ranging from genre pleasers to indie charmers to potential future Oscar picks and beyond – and veering from critical fest duds to overwhelming crowd favorites – the class of Sundance ’12 is an intriguingly mixed-but-mostly-promising bag of films that will be dotting the cinematic landscape in the year or so to come. Here’s an updated comprehensive look at what sold and which films you should be looking forward to.
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A quick update on the flurry of Sundance deal-making of recent days, with well-received documentaries and less acclaimed but star-driven (read: marketable) narratives sitting pretty with distribution agreements. Will this be, as pundits predicted, a high-volume buying year in Park City?
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