As a member of the Jakarta police force, Rama (Iko Uwais) is one of dozens of SWAT agents about to be trapped within the concrete walls of a tenement building run by a nefarious slumlord, set upon by machete-wielding thugs and forced to fight his way out using knives, broken doorways, and at times, only his bare hands. The fighting style he uses to do so, leaving a trail of broken baddies in his wake, is silat -- a lightning-fast, bone-crunching Southeast Asian martial art that gets its best showcase in Gareth Evans’ festival sensation The Raid: Redemption.
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Electro musician (and Italians Do It Better label owner) Johnny Jewel elaborated on the Drive score he was commissioned to compose by director Nicolas Winding Refn. "Nic flew to Montreal and we rented a movie theater and he and I watched the movie twice in a row, back-to-back. We talked about every single scene and all the music. So then from there, I had a month to finish the score." Although Refn opted to use Cliff Martinez's score for the final film, fans will get another Refn-Jewel collaboration when Jewel scores another upcoming Refn film: Logan's Run.
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Oscar-winning composer Michael Giacchino (Alias, LOST, Star Trek, Up, Super 8) has created some of the most memorable aural film and television moments in the last decade, notably working time and time again with a chosen few close collaborators including J.J. Abrams and the folks at Pixar. So on the eve of his latest film, the globe-trotting sequel Cars 2 (his fourth Pixar score since 2004's The Incredibles), Movieline asked Giacchino to share his pro tips for mastering the film-scoring game.
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