Bruce Lee as Spidey? Harvey Keitel as Wolverine? Now this is fantasy superhero casting I can get behind. Check out these and more pieces of gorgeous concept art from French artist/creature designer Alexandre Tuis, who racked his pop culture-loving memory banks to envision Marvel's most famous heroes as played by a roster of legends and favorite actors. Rutger Hauer as Thor? Come on now. Perfection.
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If Movieline ran a feature to accompany Bad Movies We Love called Bad Trailers We Love, the gory sales preview for Dario Argento's monsterpiece Dracula 3D would be spotlighted this week. It features everything that is awful about bad horror movies -- but in such a straightforward way that you can't help but watch the trailer in knee-slapping awe. Beware: One gratuitous sponge bath, buckets of movie blood and spoilers galore await you.
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To love grindhouse cinema is to forgive the limitations of low budgets, bad actors, and cheesy premises milked for their lowest common denominator thrills; to intentionally make grindhouse cinema is to welcome the laser scrutiny of the film geekerati, a much greater artistic gamble. Miss the mark with that audience and you get a box-office nightmare -- just ask Quentin Tarantino and Robert Rodriguez. But hit the B-movie sweet spot just right, as Jason Eisener mostly does in his gleefully gory Hobo with a Shotgun, and you could find yourself living the dream.
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Forget Lizzie Olsen; the breakout star of Sundance 2011 is clearly 67-year-old Rutger Hauer, who's taken Park City by storm with his star turn in Jason Eisener's grindhouse homage Hobo with a Shotgun. To celebrate the gory, tongue-in-cheek vigilante tale about -- yes -- a homeless hero with a shotgun, the Hobo folks hosted a thematically relevant Bloody Mary hour this morning where Hauer walked in wielding his titular firearm and regaled Movieline with six important revelations/life lessons:
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"Let's tear this place apart!" So instructed director Jason Eisener before Friday's midnight premiere of Hobo with a Shotgun, the unabashedly campy Canadian-American grindhouse flick about a homeless drifter who cleans up the streets of a depraved urban metropolis with only a pawn shop shotgun and plenty of gloriously insane death-dealing catchphrases in his arsenal. And while it may have disappointed Eisener and Co. that an actual riot didn't erupt before or after their film, they must have been pleased that Hobo played exactly right to just the genre-loving crowd it was made for.
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