Let's hear it for Gang Grey, which handily sprinted off with first place at the weekend box office while fellow newcomers One For the Money and Man on a Ledge settled a little more quietly into their own top-five niches. A couple of unremarkable holdovers fared not much better, but hey. At least now we can look forward to February! Your Weekend Receipts are here.
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Everything old was new again this weekend at the box office, with a third sequel and a WWII film cruising to the lead opposite pockets of crummy weather and a pair of NFL playoff games that were about as good as they could possibly be. What hit? What kind of didn't? Your Weekend Receipts are here.
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There are instances when reviewing intentions would be so much easier than reviewing actual movies, and Red Tails, which was directed by first-timer Anthony Hemingway but conceived, shaped and willed into being by George Lucas, is one of them. Red Tails is – or is intended to be – a rousing comic-book adventure based loosely on real-life events: The picture follows a group of Tuskegee Airmen as they shoot down German fighter planes and blow munitions transport trains to smithereens. In between missions, they fight more personal battles, against insidious racism and bigotry.
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“I’m retiring,” Star Wars media emperor George Lucas recently told the NY Times, having toiled through today's difficult indie film climate to get his ambitious Red Tails into theaters. “I’m moving away from the business, from the company, from all this kind of stuff.” Or, as Lucas producer Rick McCallum put it: “Once this is finished, he’s done everything he’s ever wanted to do. He will have completed his task as a man and a filmmaker.” Say it ain't so, George! Wait, what's that? It's not really the end? Oh, you tease.
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Via The Playlist, here's your chance to finally weigh in on seven minutes of the George Lucas-produced, Anthony Hemingway-directed Tuskegee Airmen biopic Red Tails. The film opens Jan. 20, but your jaw drops effective immediately.
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