Deadline reports that Paula Patton is in talks to star with Denzel Washington and Mark Wahlberg in 2 Guns, a crime pic directed by Contraband's Baltasar Kormakur based on the graphic novel by Stephen Grant "about a DEA agent and an undercover naval intelligence officer who unwittingly investigate each other as each steals mob money." Patton will play Washington's love interest, though I feel like they've already been here before... or maybe I just have DEJA VU. HONK! Yeeeeah. Sigh. [Deadline]
Let's see, what day is it? Jan. 31? Oh, then it must be time for everyone to fulminate over the Vanity Fair Hollywood Issue, specifically its lack of diversity among the featured cover stars. It's a seasonal ritual almost as inviolable as Groundhog Day, with equally severe implications of who made the cover (and where). To wit, a lot of white chicks. Cue six more weeks of winter! At least in the grocery checkout aisle, anyway.
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A slightly above-average weekend at the box office abated further talks of a moviegoing slump (for now), with a proven star and a buffed-out Disney classic teaming up in the top two. Mission: Impossible continued its formidable hold, meanwhile, barely suppressing a certain Joyful Noise. Your Weekend Receipts are here.
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What does it take to revive a passion for one's work, years on, whether said vocation is saving the world or churning out sequels in a blockbuster franchise? How does one reclaim human contact in today's isolating, gadget-dependent world? These are questions IMF agent Ethan Hunt and his portrayer Tom Cruise face in Mission: Impossible -- Ghost Protocol, Cruise's fourth outing in the spy series, directed entertainingly enough by Pixar veteran Brad Bird. If the hoodied Cruise evokes a touch of Eminem-level moodiness in the posters, it's with good reason: Stopping a maniacal supervillain may be on the docket yet again, but this time around Ethan Hunt has gone emo.
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This Dec. 16, Mission: Impossible - Ghost Protocol premieres in IMAX five days in advance of its general release. Why exactly? Probably to encourage fans of the Tom Cruise franchise to see the picture in the large format director Brad Bird intended when he shot thirty minutes-worth of the fourth Ethan Hunt film in IMAX. To convince journalists that the large format is indeed worth higher ticket prices, an advance release date and a little early buzz, Paramount screened about 20 minutes worth of wild action sequences at the Rave 18 theater in Los Angeles last week. Ahead, the stomach-flipping details (and very mild spoilers).
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