You've seen the trailer. You've parsed the poster. Now study in the stern countenances awaiting you in Moonrise Kingdom, Wes Anderson's Cannes-opening reverie for which a new "vintage team photo" is making the rounds.
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Movieline is pleased to present the first installment of One-Sheet Wonder, a new column on the best, worst, weirdest and other milestones of contemporary movie-poster art. — Ed.
We’re a little more than two months away from the debut of the Cannes Film Festival opener Moonrise Kingdom, Wes Anderson’s first live-action film in five years, and the promo push is on. The first trailer hit a while back, and the first poster was revealed last week. And while the trailer is an exhilarating promo clip, on first glance it’s easy to dismiss the poster. It feels minimal and rather meh overall, like a starving-artist, Bob Ross knock-off masquerading as a one-sheet ("Look at that happy little waterfall…").
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Get ready for some twee twinkling on the Croisette -- Wes Anderson's Moonrise Kingdom is set to open the 2012 Cannes Film Festival! Last year's opener, Woody Allen's Midnight in Paris, went on to enjoy a rousingly successful theatrical run on its way to a Best Picture nomination; Anderson's comedy, about a pair of pre-teen lovebirds on the lam in 1960s New England, will open stateside just over a week after its May 16 Cannes debut and marks his return to live-action film after his most recent film, the Oscar-nominated Fantastic Mr. Fox.
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It is called Moonrise Kingdom and I have nothing to really say about it except that I'm somewhat intrigued by Anderson's discovery of the handheld camera and the unusual (for Anderson, anyway) 1.85:1 aspect ratio and that I wish it were Meryl Streep with that bullhorn instead of Frances McDormand; she was so infectious in Fantastic Mr. Fox and I want to see her and Anderson collaborate in live-action. And... and... Cool treehouse? I don't know. Your turn.
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