It was a buoyant holiday frame for the last releases of 2011, with audiences turning out in droves (and likely family-loaded minivans) to boost just about every film in theaters. Biggest congrats are in order for Mission: Impossible - Ghost Protocol, which is indeed set to make in 17 days what Mission: Impossible III made in its entire theatrical run. And, look! A bunch more people caught the timely holiday spirit and bought a Zoo this week, along with a War Horse and, uh, Garry Marshall's New Year's Eve. Enjoy it while it lasts, Garry. Auld lang syne, 2011. Your holiday weekend receipts after the jump!
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'Twas the weekend of Christmas, and all through the house, many studio executives had good reason to grouse... Ugh, sorry about that -- it's the egg nog. In fairness, the holiday frame actually signaled a nice rebound from previous weekends (which, when considering the utter horror show this month's been, isn't saying so much, but still). Who got what they wanted for Christmas, and who did Santa all but skip? Your Weekend Receipts are here.
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A slumpy month at the box office showed little sign of abating on Friday, when the holdovers Mission: Impossible - Ghost Protocol, Sherlock Holmes: A Game of Shadows and Alvin and the Chipmunks: Chipwrecked fought off a trio of high-octane newcomers -- including the abysmally performing We Bought a Zoo -- to lead the early holiday-weekend competition. Your Friday Box Office is here.
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Sherlock Holmes may have won the weekend with a modest debut, but was it the real box office winner? Not with Tom Cruise and the Mission: Impossible gang around to flaunt their fab limited release per-screen average in everyone's faces, a precursor to next week's Christmastime blitz. And, yeah. The new Chipmunks is out. A moment of silence for all the poor souls who helped it debut in the number two slot. I'd wager even David Cross feels for you.
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What does it take to revive a passion for one's work, years on, whether said vocation is saving the world or churning out sequels in a blockbuster franchise? How does one reclaim human contact in today's isolating, gadget-dependent world? These are questions IMF agent Ethan Hunt and his portrayer Tom Cruise face in Mission: Impossible -- Ghost Protocol, Cruise's fourth outing in the spy series, directed entertainingly enough by Pixar veteran Brad Bird. If the hoodied Cruise evokes a touch of Eminem-level moodiness in the posters, it's with good reason: Stopping a maniacal supervillain may be on the docket yet again, but this time around Ethan Hunt has gone emo.
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After scoring a critical and commercial hit with his directorial debut, 2009's Zombieland, director Ruben Fleischer decided to make the relatively humble crime comedy 30 Minutes or Less (in theaters Friday) as his follow-up, rather than take on some huge Hollywood work-for-hire gig like Mission: Impossible 4, which he was once in the running to direct. And as he tells Cinema Blend, when he watched the first trailer for the Brad Bird-helmed spy sequel, he knew he'd made the right decision.
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Pixar watchers and action fans alike were waiting to see what Oscar-winning animation veteran Brad Bird might do with the reins to the Mission: Impossible franchise, and the first wave of promo materials offers an answer: Pretty much what anyone would do with a slick, globe-trotting, high-octane Tom Cruise vehicle. Can we find greater detail in the first batch of stills from Mission: Impossible -- Ghost Protocol?
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