Two teen-oriented comedies this season share much in common, from a gleeful embracing of the spirit of youthful recklessness to the idea that geeks will indeed inherit the earth. One is among the better comedies we’re likely to see this year; the other is by far, on its face, the sleaziest. Both were penned by the same actor-turned-screenwriter, Michael Bacall, who also captured the slings and arrows of slacker youth heroism in 2010’s Scott Pilgrim vs. the World. So why are Project X and 21 Jump Street so diametrically opposed when it comes to depicting the youth of today?
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I’m pretty sure I ruined the night of a pair teenage boys huddled in the back row of a recent screening of Project X, a party disaster movie targeted at kids who find the Hangover franchise too sophisticated. All I did was sit down beside them, but I may as well have poked my head up into their treehouse. Girls ruin everything, especially the unmitigated enjoyment of a new Todd Phillips movie. A few seconds after the lights went down, as a shrill junior impresario named Costa (Oliver Cooper) was shouting 2 Live Crew lyrics about wanting pussy, the one beside me began twisting in an agony I came to enjoy much more than the movie we were watching.
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I'm willing to give on-the-brink screenwriter Michael Bacall the benefit of the doubt based on what I've seen and heard of him so far, from Scott Pilgrim vs. the World (which he co-wrote) to the Todd Phillips-produced teen party comedy Project X and 21 Jump Street (both of which he has scripting and story credits on), the latter of which is earning surprisingly glowing reactions from the blogoscenti. But I might have to draw some sort of line at the Tropic Thunder spin-off starring a fat, hairy Tom Cruise as slimy Hollywood exec Les Grossman, which apparently is not only really, seriously a thing but is, as Bacall describes, "a pretty heartfelt story."
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