Of all the random shenanigans actor/filmmaker/online purveyor of fine goods Vincent Gallo has pulled, suing the city of Los Angeles kind of makes the most sense of them all. Consider: According to TMZ, Gallo filed a lawsuit to shut down the Arts District Business Improvement District plan, which uses taxpayer money to patrol, safeguard, and improve the downtown L.A. arts district. Gallo reportedly wants the program shut down and $1.3 million returned because it's purportedly wasteful and provides "no benefit." In other news: The Brown Bunny star's personal services are still available for purchase! Now that's money well spent, I'm sure. [TMZ]
"At 2 P.M. on Tuesday, January 31 Councilman Tom Labonge will present The Artist with the 'Made In Hollywood' honor to the film’s cast and crew. Including Academy Award Nominee Michel Hazanvicious [sic], Academy Award Nominee Jean Dujardin, Academy Award Nominee Bérénice Bejo, Missi Pyle, Penelope Ann Miller, Beth Grant, David Cluck – 1st Assistant Director, Richard Middleton- Executive Producer, Antoine De Cazotte- Executive producer, Heidi Levitt- Casting Director and the Los Angeles crew. The Honor will be presented at RED Studios which substituted for Kinograph Studios in the film. 846 North Cahuenga Boulevard Los Angeles, CA 90038-3704. Be it further resolved that the Los Angeles City Council does name this day, January 31, 2012, as The Artist Day in the City of Los Angeles." Yikes! Time is running out! Start getting sick now! [Press Release]
Few films in recent memory traverse the urban terrain of Los Angeles as memorably as Nicolas Winding Refn's Drive, the stylish, sublime (and yes, ultra-violent) September 16 "fairytale" starring Ryan Gosling as a soft-spoken stunt man who gets mixed up with vicious gangsters in the city of angels. Using practical locations from downtown to the Valley, Refn paints a portrait of L.A. seldom seen in even the best L.A. stories -- and with nary a glimpse of glitzy Hollywood in sight. Dive into Movieline's interactive Drive map and explore the landscape of Refn's Los Angeles, in the director's own words.
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First time writer-director Evan Glodell spent years obsessing over his feature debut Bellflower, a raw tale of love, betrayal, and apocalyptic-level emotional tumult set among a group of near-nihilistic twenty-somethings in Southern California. (Part of that obsession? Custom-building the badass, fire-breathing Mother Medusa muscle car, which figures into the film.) After the jump, see a new exclusive image from Bellflower and find out how you can see it in Los Angeles before it opens on Aug. 5.
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About three years ago, in the same year he landed the gig directing the second film in the Twilight film franchise, Chris Weitz fell in love with a script about a poor illegal immigrant and single father chasing the American dream in East Los Angeles. Entitled The Gardener, the project would feature no stars, shoot on location in gang-affiliated L.A., and would never in a million years enjoy a hundred million dollar opening weekend. Weitz had to do it.
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