With the year 2011 drawing to a close, the stars of Garry Marshall's New Year's Eve were a sentimental -- and cheeky -- bunch talking up the portmanteau rom-com recently in Los Angeles. "When I stopped wanting my New Year's Eve to be perfect, to ring in the New Year right, is when it started working out right," admitted Hilary Swank, seated at a podium about as long as the credit roll for the star-studded holiday pic. At the other end of the panel, Zac Efron faux-wooed co-star Michelle Pfeiffer. "You're coming out with me this year," he winked at her. "I'll show you how we do it."
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In the brand new trailer for New Year's Eve, Garry Marshall's holiday-themed movie event that promises to give the phrase "ensemble romantic comedy" a bad name, Robert De Niro wonders what could possibly beat "New York on New Year's Eve." I'll tell you what: Not throwing all of your actorly credibility out the window confetti-style to appear alongside Zac Efron, Jon Bon Jovi and Ludacris in a movie that features Ashton Kutcher trapped in an elevator with the annoying girl from Glee. You know what other moviegoers might also consider better than seeing Garry Marshall's vision of NYC on New Year's Eve? Tom Six's Human Centipede 2, which inspires similar nausea but for different reasons.
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One of the running gags in Fox's effervescent hit high school series Glee is that no matter how things occasionally come up roses for the show choir freaks and geeks of McKinley High, there's always someone, slushie in hand, waiting to take the Gleeks down a peg or two back to cold, brutal reality. Ironically, it's that same multicolored frozen treat, globbed at the screen in slow-motion over the end credits of Glee: The 3D Concert Movie, that underscores a similar, sad burst of recognition that's perhaps been long coming: For all the uplifting, inclusive good that Glee inspires in its young target demographic, it's a property that's become high on its own self-projected, self-congratulatory fantasy of "fuck the haters" do-goodingness. And there's nothing more that Glee needs or deserves right now than a slushie to the face.
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