To close out his popular live-reading program at LACMA Thursday night Jason Reitman selected a film that seemed to tie the series and the room together: The Coen brothers’ 1998 noir-comedy opus The Big Lebowski. In the hot seat filling Jeff Bridges’ slippers as The Dude sat Seth Rogen, whose own slacker charm proved oddly suitable, with folks like Hank Azaria (as Donny), Rainn Wilson (as Walter) and Christina Hendricks (as Maude) alongside him re-enacting one of the most quotable films of the past two decades. The cherry on top? Playing the role of The Stranger originated by Sam Elliott and written explicitly for an actor like Sam Elliott, perhaps… was none other than Sam Elliott.
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To close out his popular live-reading program at LACMA Thursday night Jason Reitman selected a film that seemed to tie the series and the room together: The Coen brothers’ 1998 noir-comedy opus The Big Lebowski. In the hot seat filling Jeff Bridges’ slippers as The Dude sat Seth Rogen, whose own slacker charm proved oddly suitable, with folks like Hank Azaria (as Donny), Rainn Wilson (as Walter) and Christina Hendricks (as Maude) alongside him re-enacting one of the most quotable films of the past two decades. The cherry on top? Playing the role of The Stranger originated by Sam Elliott and written explicitly for an actor like Sam Elliott, perhaps… was none other than Sam Elliott.
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"Inconceivable!" With a single word, unveiled at the close of last month's live-read of The Apartment, Jason Reitman launched AOUS (that's Anticipation of Unusual Size) for the December 15 installment in his brilliant LACMA/Film Independent series. Few films are so magical, so beloved, so instantly and indelibly quotable as The Princess Bride, Rob Reiner's 1987 fantasy-comedy, written by William Goldman, about a princess and her pirate and those involved in and affected by their adventure. And few live-read casting choices could be as inspired as Reitman's: Paul Rudd in the Westley role originated by Cary Elwes, Cary Elwes in the Humperdinck role originated by Chris Sarandon, and, performing the part of the Grandson first portrayed by Fred Savage over two decades ago... Fred Savage.
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Part of the wave of initiatives in Elvis Mitchell's rebooted Film Independent at LACMA programming is a series of live script reads directed by Jason Reitman (Up in the Air, Juno), who kicked things off last month with a star-studded rendition of The Breakfast Club. Last night's second script read of the 1960 multiple Oscar-winner The Apartment, with Natalie Portman and Steve Carell in the Shirley MacLaine and Jack Lemmon roles, respectively, demonstrated how the marriage of cherished movie memories, live theater, and fresh talent is such an inspired idea to begin with.
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Movieline hit the red carpet at Saturday's Spirit Awards, where Exit Through the Gift Shop took home Best Documentary, with one guiding mission: Find out who Banksy really is! But just in case we couldn't get to the bottom of that enigma, we had a backup mission: Find out what he'd look like if he came to an awards show incognito! Hit the jump to watch the results of Movieline's investigation into The Banksy Identity, as aided by a few celebrity informants.
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Backstage at the Spirit Awards Saturday afternoon, Darren Aronofsky was in a jaunty mood. And why not? With Black Swan's two biggest Oscar rivals, The Social Network and The King's Speech, absent from competition at the penultimate awards show of the year (TSN excluded by budget, TKS relegated to the foreign film category), the night belonged to Aronofsky's stylish psychological ballet thriller. So after Black Swan took home Best Cinematography (Matthew Libatique), Best Actress (Natalie Portman), Best Director, and Best Feature, Aronofsky took to the winners' room to have some fun with the press.
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