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Quentin Tarantino Names His Worst Movie

Quentin Tarantino Names His Worst Movie

Quentin Tarantino is one of America's most celebrated living filmmakers and his latest film - currently due out Christmas day - is highly anticipated. But even a critically acclaimed filmmaker can have a dud, even if some fans might disagree. Tarantino himself weighed in on what he considers his least accomplished work.

"Death Proof has got to be the worst movie I ever [made]," Tarantino told THR. "And for a left-handed movie, that wasn't so bad, all right? So if that's the worst I ever get, I'm good. But I do think one of those out-of-touch, old, limp, flaccid-dick movies costs you three good movies as far as your rating is concerned."

Death Proof was part of Grindhouse, a double feature along with Robert Rodriguez's Planet Terror. The duo didn't exactly score at the box office either. It took in just over $25 million domestically on a budget that reportedly reached $67 million. Not all turned out dismal though, it did receive a 65 percent on Rotten Tomatoes among critics - not horrendous though certainly not gangbusters.

Tarantino recently hinted to Playboy that his latest film Django Unchained may signal the sunset of his filmmaking career, saying that he wants to "stop at a certain point."

"Directors don’t get better as they get older. Usually the worst films in their filmography are those last four at the end. I am all about my filmography, and one bad film fucks up three good ones … When directors get out-of-date, it’s not pretty."

[Sources: Huffington Post, THR, Box Office Mojo]

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SLIDESHOW: A Taxonomy of Girls Ganging Up in the Movies

As director Zack Snyder demonstrates in this week's Sucker Punch, there are few filmic thrills as satisfying as watching women band together to turn gender assumptions upside down. But Emily Browning's Babydoll wasn't the first to grab a weapon and lead her lady friends into the fray; plenty of women have cleared the path for the Sucker Punch gang where sisterly solidarity is concerned, even if some of them used sex appeal or caustic wit instead of samurai swords or machine guns to deal death blows to the enemy. Join Movieline in revisiting the varied history of sisterhood in cinema as we catalogue over a dozen case studies of fierce femmes fatale doing it for themselves on film.

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