Bad Movies We Love: Elizabeth Taylor and Richard Burton in The V.I.P.s

Now that the procession of Elizabeth Taylor tributes is finally over, the real fanaticism can begin! I'm staining my corneas with purple Crayola Washables, pounding shots of White Diamonds straight from the tube, and slurring, "Tell mama all" to my saliva-drenched Montgomery Clift poster. I'm also revisiting one of Elizabeth Taylor's most senselessly elegant movies, the 1963 "drama" The V.I.P.s. It's about attractive people who are horny at the airport. I've already taken off!

According to our own Alonso Duralde (who wrote this lovely ode to Elizabeth Taylor's best over-the-top performances), The V.I.P.s exists because "international air travel used to be so exclusive and glamorous that you could set an entire movie about the beautiful people in the departure lounge of an airport." Exactly right. The V.I.P.s is about a bunch of rich, great-looking travelers who are stuck at Heathrow thanks to a fog. That's all. They need to catch planes for important reasons -- like leaving their lovers, saving their businesses, or being attractive on another continent -- but they're all so bored, postured, and gorgeous that the movie becomes a sexiness competition.

I say we make that competition official!

Here's a ranking of The V.I.P.s' hot V.I.P.s! Criteria: 1) Sexiness. 2) Hotness. 3) Do Me-ness. 4) Put-Down-Your-Valise-and-Do-Me-On-It-ness. 5) That is all.

rutherford225.jpg8th Place: Elsa Martinelli as Gloria Gritti, the wannabe actress with the likewise hotness.

Gloria's a hot-to-trot wacktress who wants a big-time movie producer (played by Orson Welles!) to make her a star. Problem is, her haircut is not super-'60s enough for the purposes of this list. The fluff isn't there. Barbara Feldon would wince at that keratin blob. Dusty Springfield would jackknife in agony. Twiggy would snap her fingers (and herself, in half). Decent attempt, Miss Martinelli, but these other beauts outpace you by a dozen lengths.

rutherford225.jpg7th Place: Rod Taylor as Les Mangum, the horrible businessman who handles financial ruin by flirting with his secretary.

Rod Taylor is a winsome mensch. He's a Jeff Probst/Jason Bateman hybrid, and that's the kind of ruggedness missing in modern beach volleyball. But as Les Mangum, Rod's a sad sack sauntering around the V.I.P. lounge waiting for someone to save him from bankruptcy. It takes the machinations of his lovestruck secretary (Maggie Smith!) to rescue him, and that's libido-ruining for me. Clean up your own monetary birdcrap, Rod!

rutherford225.jpg6th Place: Orson Welles as Bigshot Film Producer Max Buda, whose mustache is an illegal aphrodisiac made from dark chocolate and animal pheromones.

When Orson Welles wasn't directing Touch of Evil or The Trial, he was starring in fun clunkers like The V.I.P.s and trying out Italian accents. The result is panty-decimating. From the way he dismisses ingenue Gloria Gritti ("Is a tragedy.") to the way he announces peril ("I've got to get out of the country tonight... or else I lose one million dollars!"), he's a heap of sexual melodrama that belongs in a telenovela. The things he could do with that pimp Kane!

rutherford225.jpg5th Place: Maggie Smith as the milquetoast secretary whose hormones are going to burst onto the runway.

The V.I.P.s has the nerve to cast Maggie Smith as a meek secretary in an uneffably drab outfit, but her carnality shines through. When her boss (menschy Rod Taylor) needs six figures to save his business, she approaches millionaire Paul Andros (Richard Burton) and wheedles him into a loan. That's love! That's splendor at the gate! That's a bathtub of hormones waiting to spill over like a piping hot cappuccino. Maggie Smith would only achieve greater sexual prowess on the recent season of Downton Abbey. (Please watch that.) Now remove that margarine-colored blouse and get to sexing, Mags!

rutherford225.jpg4th Place: Richard Burton as the jilted aristocrat who smashes Elizabeth Taylor's delicate wrists in the name of love.

So, Sir Dick Burton plays a millionaire who is losing his actress wife (Elizabeth Taylor) to another man. So, he gets a little abuse-y about it. That doesn't mean he's not a commanding coil of testosterone who looks like Nate Corrdry's ferocious uncle! "You've destroyed both our lives for a male whore!" he howls at Liz. The fact that the words "male whore" exited Richard Burton's mouth is a cosmic gift to the ages. Now, watch him break a mirror using Elizabeth's body.

rutherford225.jpg3rd Place. Louis Jourdan as the dastardly gigolo Marc Champselle.

Louis Jourdan is like a glossy French version of Omar Sharif who could sell you Wheat Thins. That's still thigh-meltingly hot. If you think he's got shifty eyebrows worthy of Hitchcockian lore, Hitch already thought of that (1947's The Paradine Case), and if you think he's got the knowing smirk of a Bond villain, you're also way behind (Kamal Khan in Octopussy, of course). Here he plays a gigolo -- uh huh -- whose cavalier smarts woo Elizabeth Taylor from Richard Burton's embrace. Jourdan gives such good face in this movie, you'll be sorry he missed the cut in Madonna's "Vogue" rap. His jawline is too sharp for children.

rutherford225.jpg2nd Place. Elizabeth Taylor as Frances Andros, the most beautiful woman ever to romance an alien gigolo.

Our Elizabeth. She's predictably saucy and uncompromising in this mo
vie, coasting on a wave of horny glee like National Velvet's still soaring beneath her. As movie star Frances Andros, she's using this delayed flight to escape with French bandit Marc, but her hubby has a lot to say about that. Even if Elizabeth is working undertime on her trite dialogue ("That smokescreen of charm can be very dense."), she remains more glamorous than Midas. She and Burton had collaborated on Cleopatra before The V.I.P.s, so you can see why they'd both want to tone things down with a lounge drama. Even so, she's unforgettable here.

rutherford225.jpg1st Place: Margaret Rutherford as the Duchess of Brighton, the pill-popping, passport-losing goddess of seduction.

Surprise! We may be in Elizabeth Taylor's month of mourning, but let's keep our heads on straight. Margaret Rutherford, who'd previously dominated the role of Miss Marple (take notes, Jen Garner), plays a discombobulated duchess who takes "purple pills" to deal with airplanes. She is cheery. She is chipper. She is a fearless firebrand who will mock your plebeian grammar and chug drugs at your ticket counter. For her fabulous efforts, Ms. Rutherford was honored with the Academy Award for Best Supporting Actress. That may seem like a bit of a stretch, but did you really want someone from Tom Jones to win it? That's right. Eat your purple pill lunch and shut up.


  • Johanna says:

    There are companies who can help you do just that, either by writing blog articles for you or by creating and managing the entire process.

  • I really enjoyed Margaret Rutherford and Orson Welles in this movie. But . . . the movie was a real bore.

  • Patsy says:

    Maybe it's just me, (probably), but I saw the movie when it came out, and I thoroughly enjoyed every minute of it. Elizabeth wore beautiful clothes, we were treated to Liz and Richard's performances, I fell in love with Rod Taylor, admired Maggie's loyalty, felt sorry for Louis Jourdan, and loved the comic antics of Margaret Rutherford. The way that the actress,headed for Hollywood, got panned, not understood. The actors and actresses blended into an enjoyable, if not perfect evening. Perfection not reached by many movies! I never got any of the feelings of the critic, I went to the movies to be entertained! I think sex is the only thing on the mind of this critic, (he mentioned it several times).I did not think the movie had sexual overtones, whether intentional or not. We, the patrons, the audiences, don't have the critics view, he more in tuned to technique. We don't see the flaws It was just a life experience, not everyday, but Hollywood inspired. Hollywood at its made up finest.