The 11 Commandments of Werner Herzog's Anti-Film School
Have you longed to remake previously-thought-untouchable Abel Ferrara cult classics since before you could talk? Can you rattle off the beasts of Grizzly Man as easily as Snow White's dwarves or Santa's reindeer? When your classmates discovered women, were you more preoccupied with Woyzeck? Then maybe you're just the person to attend anti-establishment filmmaker Werner Herzog's Rogue Film School™. The school, as evidenced by its 11-point doctrine, is not here to instruct you on how to make films. For that, you can go to non-rogue institutions like NYU or USC. So what will it teach you? Beyond the fundamentals of visual storytelling, how about "the art of lockpicking. Traveling on foot. The exhilaration of being shot at unsuccessfully ... The creation of your own shooting permits. The neutralization of bureaucracy." And much, much more! The full rundown is after the jump.
1. The Rogue Film School will be in the form of weekend seminars held by Werner Herzog in person at varying locations and at infrequent intervals.
2. The number of participants will be limited.
3. Locations and dates will be announced on this website and Werner Herzog's website: www.wernerherzog.com approximately 12 weeks in advance.
4. The Rogue Film School will not teach anything technical related to film-making. For this purpose, please enroll at your local film school.
5. The Rogue Film School is about a way of life. It is about a climate, the excitement that makes film possible. It will be about poetry, films, music, images, literature.
6. The focus of the seminars will be a dialogue with Werner Herzog, in which the participants will have their voice with their projects, their questions, their aspirations.
7. Excerpts of films will be discussed, which could include your submitted films; they may be shown and discussed as well. Depending on the materials, the attention will revolve around essential questions: how does music function in film? How do you narrate a story? (This will certainly depart from the brainless teachings of three-act-screenplays). How do you sensitize an audience? How is space created and understood by an audience? How do you produce and edit a film? How do you create illumination and an ecstasy of truth?
8. Related, but more practical subjects, will be the art of lockpicking. Traveling on foot. The exhilaration of being shot at unsuccessfully. The athletic side of filmmaking. The creation of your own shooting permits. The neutralization of bureaucracy. Guerrilla tactics. Self reliance.
9. Censorship will be enforced. There will be no talk of shamans, of yoga classes, nutritional values, herbal teas, discovering your Boundaries, and Inner Growth.
10. Related, but more reflective, will be a reading list: if possible, read Virgil's "Georgics", read "Hemingway's "The short happy life of Francis Macomber", The Poetic Edda, translated by Lee M. Hollander (in particular the Prophecy of the Seeress), Bernal Diaz del Castillo "True History of the Conquest of New Spain".
11. Follow your vision. Form secretive Rogue Cells everywhere. At the same time, be not afraid of solitude.